Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Trude Fleischmann :: Mila Cirul and Julian Algo: Dance poses, 1926. Catalogue of the fourth “Art of Movement” exhibition, 1928, within Nos. 534-35. PKh (Collection of Pavel Khoroshilov, Moscow). | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Junon et Pallas. Danseuses Yvonne Franck (à gauche, Pallas) et Yvonne Daunt (à droite, Junon), dans “Ascanio” à l’Opéra de Paris. Chorégraphie de Léo Staats. Novembre 1921. Négatif sur verre. | src Agence photographique RolJunon et Pallas. Danseuses Yvonne Franck (à gauche, Pallas) et Yvonne Daunt (à droite, Junon), dans “Ascanio” à l’Opéra de Paris. Chorégraphie de Léo Staats. Novembre 1921. Négatif sur verre. [Full image] | src Agence photographique Rol
Otton Engel’s :: A. Rumnev in one of L. Lukin’s choreographies, 1923. Pencil on paper. Inscribed and dated: “Chamber Theatre, Thursday, 7.30, 12/VI/1923”. Catalogue of the first “Art of Movement” exhibition, 1925, Nº 197. OE (Otton Engel’s repository, Moscow. Formerly in the collection of Irina Malakhova.) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Hess Studio, Frankfurt :: A. Rumnev. Plastic study, 1923. Original print. Signed and dated on mount: “Hess, Frankfurt 1923”. Choreography by L. Lukin. Tournée of the Moscow Chamber Theatre, 1923. The reverse of an analogous print in the Lukin archive at GTsTMB carries the inscription: “To dear Lev Lukin with faith in his inimitable talent, 1923, A. Rumnev”. RGALI [Rossiiskii gosudarstvennyi arkhiv literatury i iskusstva (Russian State Archive of Literature and Art, Moscow)] source Nicoletta Misler’s The Russian Art of Movement 1920-1930
Photographer unknown. Three studies for the ‘Role of Gesture in a Defined Pose’. One of the assigned research themes at the Choreological Laboratory for 1924-26. | src Nicoletta Misler’s The Russian Art of MovementPhotographer unknown. Three studies for the ‘Role of Gesture in a Defined Pose’. One of the assigned research themes at the Choreological Laboratory for 1924-26. | src Nicoletta Misler’s The Russian Art of MovementPhotographer unknown. Three studies for the ‘Role of Gesture in a Defined Pose’. One of the assigned research themes at the Choreological Laboratory for 1924-26. | src Nicoletta Misler’s The Russian Art of Movement
AtelierK. Kolliner (Wien) :: Mira Cirul (sic) in Rustic Dance, 1925. Music by N. Medtner and costumes by G. Kirsta. Artist’s original print. Collection of Pavel Khoroshilov, Moscow. Second “Art of Movement” exhibition, 1926. | src Nicoletta Misler
Tänzerin, Tanzpaedagogin und Choreografin Mary Wigman (Eigentlich Marie Wiegmann) im “Tanz für die Sonne” aus der Tanzdichtung ‘Opfer’, 1932 (Photo: Ullstein Bild). | src and hi-res Getty Images