“Dämon Maschine”, 1936

Atelier dʼOra-Benda :: Tänzerinnen des Ensembles Gertrud Bodenwieser in "Dämon Maschine", 1936. | Dancers of Gertrud Bodenwieser's ensemble in "Demon Machine", 1936. | src Theatermuseum © KHM-Museumsverband
Atelier dʼOra-Benda :: Tänzerinnen des Ensembles Gertrud Bodenwieser in “Dämon Maschine”, 1936. | Dancers of Gertrud Bodenwieser’s ensemble in “Demon Machine”, 1936. | src Theatermuseum Wien © KHM-Museumsverband
Atelier dʼOra-Benda :: Poses from The Demon Machine, 1936 | src National Library of Australia
Atelier d’Ora – Benda :: Gertrud Bodenwieser. Dance scene: “Demon Machine”, 11.05.1936. | src and © Theatermuseum, Wien

Mura Ziperowitsch, 1920s

Mura Ziperowitsch, Wien, 1920er Jahre, Foto Anonym, O. J. (Anonymous photographer) | src Alles tanzt Ausstellung @ Theatermuseum © KHM-Museumsverband

Role models. Many female dancers dealt with given role structures and criticized gender specific role attributions. The nun is seen as embodiment of a nonsexual woman who dedicates her life to God. Hence the play with the nun’s costume is a game with female physicality and sexuality. Here we meet Mura Ziperowitsch, who by wearing a nun similar costume refers to the female corporality.

source Vienna Pride at Kunsthistorisches Museum Wien

Kyra Nijinsky by Sasha · 1930s

Sasha ~ Kyra Nijinsky, daughter of the famous Russian dancer and one of the principals in C.B. Cochran’s Streamline Revue at the Palace Theater, London, 1930s. | src Getty Images
Sasha ~ Kyra Nijinsky, daughter of the famous Russian dancer and one of the principals of C.B. Cochran’s Streamline Revue at the Palace Theater, London, 1930s. | src getty images

Danze euritmiche 1 & 2, 1930

Giannina Censi. Danze euritmiche 1 & 2, 1930. Fotografie d’Arte di Mauro Camuzzi. Fondo Giannina Censi. © MART · Museo di arte moderna e contemporanea di Trento e Rovereto
Giannina Censi. Danze euritmiche 2, 1930. Fotografie d'Arte di Mauro Camuzzi. Fondo Giannina Censi. © MART · Museo di arte moderna e contemporanea di Trento e Rovereto
Giannina Censi. Danze euritmiche 2 di Mauro Camuzzi. Fotografie d’Arte. Milano, 1930 © MART · Fondo Giannina Censi
Giannina Censi. Danza euritmica 1 di Mauro Camuzzi. Fotografie d'Arte. Milano, 1930 © MART · Fondo Giannina Censi
Giannina Censi. Danza euritmica 1 di Mauro Camuzzi. Fotografie d’Arte. Milano, 1930 © MART · Fondo Giannina Censi

Rosalia Chladek in Jeanne d‘Arc

Anna Riwkin :: Rosalia Chladek in "Jeanne d‘Arc", Stockholm, 1938. | src and hi-res Theatermuseum Wien © KHM-Museumsverband
Anna Riwkin :: Rosalia Chladek in “Jeanne d‘Arc”, Stockholm, 1938. | src and hi-res Theatermuseum Wien © KHM-Museumsverband

Grete Wiesenthal, 1907

Moriz Nähr :: Grete Wiesenthal in “Andante con moto”, 1907. | Statuarische Schrittpose zu „Andante con moto (1907) aus Beethovens Klavierkonzert nº 4. eigenh. Signatur der Grete Wiesenthal auf der Rückseite des Fotos. (Bewegungsstudie) | src and  © Theatermuseum Wien