Riebicke · Rhythmic gymnastics

Gerhard Riebicke ~ Rhythmic dancing and outdoor gymnastic exercises by members of the Hertha Feist School for Dance and Gymnastics in Berlin (according to the teachings of Laban), 1927
Gerhard Riebicke ~ Dancing scene based on the age-old theme of courtship, 1927 | src Getty Images

Niddy Impekoven, ca. 1928

Atelier Robertson (1927–1933) :: Dancer Niddy Impekoven. From a group of four dance studies (Niddy Impekoven, Ellinor Bahrdt, Trude Engelhart, Ira Langenteels), ca. 1928. Each with the photographer’s studio stamp and handwritten annotations in pencil on the reverse. | src Ostlicht (Westlich) Photo Auction nº 14 (June, 2016)

Nyota Inyoka, 1920s

The dancer Nyota Inyoka, 1920s. Probably from George White’s Scandals, a long-running string of Broadway revues produced by George White that ran from 1919 to 1939, modeled after the Ziegfeld Follies. | src grapefruitMoon on eBay

Harriet Hoctor by Steichen

Edward Steichen ~ American dancer Harriet Hoctor on pointe with arms stretched, wearing all black [unpublished (?)] | src Conde Nast via getty images

Hoctor (Sept. 25, 1905 – June 9, 1977) started touring with vaudeville companies at age 16 on the same bill as the Duncan Sisters. She was asked to join their act and became a key player in their Topsy and Eva show on Broadway. She was discovered by Florenz Ziegfeld, who cast her in his production of The Three Musketeers (1928) and several other shows followed throughout the next decade.

By the time these photos were taken she was back in the States after a season at the London Hippodrome (in a production called Bow Bells). She appeared in the Vanities revue of Earl Carroll in 1932, and later in the decade in the Ziegfeld Follies, notably in a ballet arranged by Hoctor with the aid of George Balanchine titled Night Flight.

Edward Steichen ~ American dancer Harriet Hoctor standing on toe point, with arms raised above head and wearing a black costume [unpublished (?)]. | src Conde Nast via getty images
Edward Steichen ~ American dancer Harriet Hoctor on point in an arabesque, wearing a black costume and black cap. Vanity Fair, 1932 | src Conde Nast via getty images
Edward Steichen ~ Harriet Hoctor. Unpublished photograph in a black costume, en pointe, with her arms in front her, 1934 (or 1932?). Vanity Fair | src Condé-Nast store ~ Fine Art

Constance Stewart-Richardson

White Studio ~ Lady Constance Stewart-Richardson, 1913. Glass negative. Bain News Service | src Library of Congress
White Studio ~ Lady Constance Stewart-Richardson, 1913. Glass negative. Bain News Service | src Library of Congress

Carina Ari dans la danse d’Anitra

Carina Ari (*) dans la danse d’Anitra, Divertissement, 1921. Photo Isabey © BmO / BnF. | src Les Ballets Suédois 1920-1925. Une compagnie d’avant-garde (2014) at Palais Garnier
(*) Maria Karina Viktoria Jansson (Stockholm, 1897 – Buenos Aires, 1970)
Studio Setzer (Wien) :: Carina Ari [Maria Karina Viktoria Jansson (Stockholm, 1897 – Buenos Aires, 1970)] in Anitra’s dance, 1922 | src Dansmuseet
Carina Ari i Anitras dans, Svenska Baletten, foto: Studio Isabey, Paris, ca. 1922. | src Dansmuseet · IG