Sent M’ahesa, 1928

Hanns Holdt :: Sent M’ahesa (Elsa von Carlberg). From Der Kunstlerische Tanz Unserer Zeit [The Artistic Dance of Our Time] by Hermann Aubel and Marianne Aubel. Leipzig, 1928. p. 10. | originally posted on tumblr | src Crossett Library
Ronit Porat :: Untitled, from Kinesphere | Tmuna Theater Gallery, Tel Aviv, 2015 | src Ronit Porat website

Schalk ~ Scoundrel, 1920s

Mario von Bucovich (Atelier Karl Schenker) :: Niddy Impekoven. “Schalk” (Scoundrel). In Der künstlerische Tanz unserer Zeit by Hermann and Marianne Aubel. Leipzig: K.R. Langewiesche, 1928. | src Crossett Library
Karl Schenker :: Niddy Impekoven. “Schalk”. Ross Verlag postcard, series 381/3. | src Photographies pour Tous
Karl Schenker :: Niddy Impekoven. “Schalk”. Ross Verlag postcard, series 381/2. | src Photographies pour Tous
Karl Schenker :: Niddy Impekoven as “Schalk”. Original photograph designed as a postcard, 1920′s. In the border: publisher: “Ross”, Berlin. Publisher’s series No. 381/2. | src Zvab

Leni Riefenstahl by Emil Otto Hoppé

Der Heilige Berg – Leni Riefenstahl – UfA – nº 15 | src Wiener Werkstaette Postkarten
Emil Otto Hoppé :: Leni Riefenstahl, dancer, director and actress, 1928. | src Hoppé Estate Collection
SKÖN FILMANDE DANSÖS / BEAUTIFUL DANCE FILM | src Scenen (1927) at Projekt Runeberg

SKÖN FILMANDE DANSÖS
Den vackra bilden härinvid föreställer den tyska dansösen Leni Riefensthal såsom hon framträder i den stora Vfa-filmen Bergens hemlighet. Dansösen har här den icke så lätta uppgiften att framhäva sin egen skönhet bredvid den naturprakt, som scenerierna frän Alperna erbjuda i den märkliga filmen.
BEAUTIFUL DANCE FILM
The beautiful picture next depicts the German dancer Leni Riefensthal as she appears in the great VfA film Der Heilige Berg (The Holy Mountain). The dancer has the not so easy task of emphasizing her own beauty next to the natural splendor that the scenery from the Alps offer in the strange film. | src Scenen (1927) at Projekt Runeberg

Nude study of Martha Laber, 1925

Nickolas Muray (1892–1965) :: Nude study of Martha Laber, 1925. Photographer’s blindstamp in the image lower right, signed and dated by the photographer in pencil on the mat. | src OstLicht 16th Photo Auction

Study of a dancer by Brassaï

Brassaï (Gyula Halász; 1899-1984) ~ Modernist study of a dancer reclining, 1930s. Silver print | src iphoto.central
Brassaï (Gyula Halász; 1899-1984) ~ Modernist study of a dancer lying down, 1930s | src cameralabs.org

G. Hoffmann by Frank C. Bangs

Frank C. Bangs :: Gertrude Hoffmann, Salomé dance, nº 7, 1908. Vintage postcards. Publisher Theatre Magazine Co. | src NYPL
Frank C. Bangs :: Gertrude Hoffmann, Salomé dance, nº 1 & 2, 1908. Vintage postcards. Publisher Theatre Magazine Co. | src NYPL
Frank C. Bangs :: Gertrude Hoffmann, Salomé dance, nº 5, 1908. Vintage postcards. Publisher Theatre Magazine Co. | src NYPL

Margareta Paluka, 1922-23

Charlotte Rudolph :: Gret Palucca (Margareta Paluka, 1902-1993), 1922-1923. Epreuve gélatino-argentique. Legs de Nina Kandinsky, 1981. | src Centre Pompidou
Charlotte Rudolph :: Gret Palucca (Margareta Paluka, 1902-1993), 1922-1923. Epreuve gélatino-argentique. | src Centre Pompidou
Charlotte Rudolph :: Gret Palucca (Margareta Paluka, 1902-1993), 1922-1923. Epreuve gélatino-argentique. | src Centre Pompidou
Charlotte Rudolph :: Gret Palucca (Margareta Paluka, 1902-1993), 1922-1923. Epreuve gélatino-argentique. | src Centre Pompidou