Martha Graham · Javanese dance

Nickolas Muray ~ Dancer Martha Graham in a Javanese dance interlude. Shadowland magazine, April 1922
Nickolas Muray ~ Dancer Martha Graham in a Javanese dance. Shadowland, April 1922 | src internet archive

Kyra at the Winter Garden, 1921

James Abbe ~ Kyra (Alanova). Shadowland magazine, October 1921 | src internet archive

Caption reads : Kyra / The exotic dancer in this season lending a touch of Oriental color to the Winter Garden revue

James Abbe ~ Kyra (Alanova). Shadowland magazine, October 1921 | src internet archive

Alanova, also known as Kyra Alanova and Alice Allan (Seattle, 26 July 1902 – Venice, 21 December 1965 ), was an American dancer, choreographer and actress. Born in the USA to a Russian father who emigrated at the beginning of 1900, she was then the stepdaughter of the choreographer and dancer Adolf Bolm, an important collaborator of Sergei Diaghilev Ballets Russes. She followed her stepfather’s footsteps, from 1918 to 1924 she danced with Diaghilev’s company on the stages of London, Paris and Rome, from 1922 she was engaged as an actress in various Broadway and London productions, under the name of Kyra Alanova.

Active on the Paris theater scene in the 1930s, she was portrayed by Kees van Dongen in several paintings (“Portrait of Miss Alanova”, “Jeune fille aux pieds nus”), in a period when the two were probably lovers.

At the end of the 1930s she arrived in Italy for a tour of the most important theaters and met Count Andrea Di Robilant, screenwriter and director, the two married shortly after and Alanova remained for a few years working in Italy, dividing her time between family and work (mainly in Italian films).

At the end of the war, Alanova resumed her activity as a choreographer, founding her own dance company: the Ballet Russe Alanova or Ballets Alanova (of which Enrico Prampolini would be artistic director and with whom Leonor Fini would collaborate as set and costume designer) with which she toured America and Europe until 1946.

text adapted from the Italian Wikipedia entry for Alanova

James Abbe :: Kyra Alanova at the Winter Garden, wearing a costume with a satin crop top and matching fitted shorts, with the top attached to long, flowing curtains, walking barefoot across a tiled floor, Vanity Fair, 1921. | src Getty Images

Dancing Study, 1919

Waldemar Eide :: Dancing Study (Vera Fokina with costume for Salome at the Russian Ballet), 1919. Published in Photograms of the year 1919. Edited by F. J. Mortimer.| src archive.org

Lisa or Anna Duncan, ca. 1915-20

Arnold Genthe ::  Lisa Duncan dancing on a beach, Long Beach, Calif., ca. 1915 | src NYPL, Isadora Duncan Collection
Arnold Genthe :: Lisa Duncan dancing on a beach, Long Beach, Calif., ca. 1915 | src NYPL, Isadora Duncan Collection
Arnold Genthe :: Anna Duncan dancing; between 1920 and 1942; from a photograph taken ca. 1920. Lantern slide. | src Library of Congress
Arnold Genthe :: Anna Duncan dancing; between 1920 and 1942; from a photograph taken ca. 1920. Lantern slide. | src Library of Congress

related post

Bertl Komauer by Franz Löwy

loewy, lowy, Löwy
Franz Löwy :: Bertl Komauer, Wien, ca. 1924. Vintage silver print. “Schule Bertl Komauer / Gymnastik Rhythmik Tanz / Wien” stamp on the reverse, annotated “Schuman Aufschwung” in ink and “Franz Löwy, Wien” handwritten in pencil on the reverse. | src liveauctioneers and Ostlicht Photo Auction 8
Franz Löwy :: Bertl Komauer (1920s). Vintage silver. Photographer’s stamp and “Schule Bertl Komauer / Gymnastic Rhytmic Tanz / Wien” stamp on the reverse, annotated “Johann Sebastian Bach, Präludium b-Moll” in ink on the reverse. | src liveauctioneers

Tanzaufnahme von Franz Löwy

Franz Löwy :: Dance scene, from the “Exposition Internationale des Arts Décoratifs et Industriels Modernes” in Paris 1925
Fotografie einer Tanzaufnahme von Franz Löwy auf der “Exposition Internationale des Arts Décoratifs et Industriels Modernes” in Paris 1925 (vom Bearbeiter vergebener Titel) | src MAK – Museum für angewandte Kunst

Gertrude Kraus in Tanzpose 1927

Atelier d’Ora ~ Benda :: Gertrude Kraus in Tanzposein in einem langen, taillenlosen Kleid, 27.04.1927. | Gertrud Kraus in dance pose in a long, loose dress, 27.04.1927 | src Kulturpool and ÖNB · Österrichische Nationalbibliothek
Atelier d’ Ora, Wien ~ Dancer Gertrud Kraus in a dance to Bach’s aria in G major. Dance photo, 27.04.1927 | src Theatermuseum, Wien
Atelier d’ Ora, Wien ~ Gertrude Kraus in einem langen, taillenlosen Kleid, 27.04.1927 | src ÖNB

Roshanara (1915) by Bassano

Bassano Ltd. ~ Roshanara (Olive Craddock), 12 July 1915. Whole-plate glass negative | src NPG
Bassano Ltd. ~ Roshanara (Olive Craddock), 12 July 1915. Whole-plate glass negative | src NPG
Bassano Ltd. ~ Roshanara (Olive Craddock), 12 July 1915. Whole-plate glass negative | src NPG
Bassano Ltd. ~ Roshanara (Olive Craddock), 12 July 1915. Whole-plate glass negative | src NPG

Sebastian Droste by Kallmus

Madame d’Ora ~ Der deutsche Tänzer Sebastian Droste, 1922. | German dancer Sebastian Droste, 1922. Probably in ‘Dances of Vice, Horror and Ecstasy’. | src Bildergipfel & Getty Images

On secondary source (Getty Images) there are no photographer’s credits and the image is identified as one from the Archiv Setzer-Tschiedel. Even though, we believe it is a d’Ora photo, it keeps the same style as all her photos from Die Tänze des Lasters, des Grauens und der Ekstase.