Artistic acrobatics, late 1920s

Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Photographer unknown, acrobatic poses outdoors from a course manual in artistic acrobatics, late 1920s. Art of Movement State Courses (of Valeriia Tsvetaeva). VTs (Valeriia Tsvetaeva repository. Now in the collection of Evgenii Chernov, Moscow) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930

Storyville (faceless) Portraits

Ernest Joseph Bellocq (1873-1949) ~ from: Storyville Portraits, ca. 1912 | src eBay
Ernest Joseph Bellocq (1873-1949) ~ Sans titre. From: Storyville Portraits, 1911-1913 | src Deborah Bell & Centre Pompidou

A lifelong resident of New Orleans, Ernest J. Bellocq was a commercial photographer who undertook a personal quest to photograph the prostitutes of Storyville, the city’s red-light district. In these frank and intimate photographs, women are not portrayed as prey to the camera’s gaze, but rather seem to participate willingly and confidently in the photographic act. Rumored to be eccentric and reserved, Bellocq told only a handful of acquaintances about these portraits, which primarily date from 1912 (the negatives were later discovered and printed by photographer Lee Friedlander). | text source: AIC

Ernest Joseph Bellocq (1873-1949) ~ ‘Storyville Portraits’, ca. 1912 | src the photographers’ gallery

The glass plate negatives were not discovered until after his death in 1949, which is why so many of the images are cracked, scratched, and damaged. It is said that some of the damages were deliberately inflicted by Bellocq while the emulsion was still wet, in order to protect the identity of the sex workers.

Extracted from: Storyville portraits : photographs from the New Orleans red-light district, circa 1912 (1970) | src MoMA catalogue
Storyville portraits : photographs from the New Orleans red-light district, circa 1912 (1970) | src MoMA catalogue 2678
Storyville portraits : photographs from the New Orleans red-light district, circa 1912 (1970) | src MoMA catalogue 2678

Leslie Jones ::

The man that squaled on Gerald Chapman and sent him to the gallows. His name is ‘Shean.’, ca. 1925 [Title and date from information provided by Leslie Jones or the Boston Public Library on the negative or negative sleeve.]. Courtesy of the Boston Public Library, Leslie Jones Collection

 via ohwiewunderbar / original source: leslie.jones.photography

more [+] by this photographer