



images that haunt us




![Mathilde Weil :: The Magic Crystal [Portret van een onbekende vrouw met een glazen bol / Portrait of an unknown woman with a crystal ball], ca. 1896 - in or before 1901. This work belongs to Photographische Rundschau: Zeitschrift für Freunde der Photographie, 1901. | Rijksmuseum](https://unregardoblique.com/wp-content/uploads/2022/08/portret-van-een-onbekende-vrouw-met-een-glazen-bol-mathilde-weil-c.-1896-in-or-before-1901-rijksmuseumcrp.jpg)
![Mathilde Weil :: Constance [Portret van een onbekende vrouw / Portrait of an unknown woman], ca. 1896 - in or before 1901. This work belongs to Photographische Rundschau: Zeitschrift für Freunde der Photographie, 1901. | src Rijksmuseum](https://live.staticflickr.com/65535/52260781178_9c84c1cbd2_o.jpg)









Roger Parry, a photographer who produced experimental images that related to both modernism and Surrealism, also had a commercial studio. He produced this image for a promotional campaign for André Maurois’s science fiction tale The Weigher of Souls (Le Peseur d’ames), in which a doctor’s experiments to find immortality reveal that life force is a gas that escapes the body at death. The photograph illustrates a sentence from the book about a ball that contained the spirits of two brothers captured in an invisible beam of light. | quoted from source

Alice M. Boughton :: Dawn, 1909. Photogravure. Published in Camera Work, issue Nº 26, 1909. | src Minneapolis Institute of Art
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