Vera Fokina, 1910. (A. Doumenq.) Collection des plus beaux numéros de “Comœdia illustré” et des programmes consacrés aux ballets et galas russes depuis le début à Paris, 1909-1921. | src BnF
Florence Vandamm :: Bronislava Nijinska dressed in costume with a crown / tiara and flower-detailed dress, ca. 1930. | src Getty ImagesLa Nijinska Chorégraphe des Ballets Russes. From : Programme Officiel des Ballets et Opéras Russes de Serge de Diaghilew (Théatre National de L’Opéra), Mai-Juin 1922 | src Library of CongressLa Nijinska / Chorégraphe des Ballets Russes. From : Programme Officiel des Ballets et Opéras Russes de Serge de Diaghilew (Théatre National de L’Opéra), Mai-Juin 1922 | src Library of CongressFlorence Van Damm :: Photograph of Bronislava Nijinska as the Humming Bird Princess in The Sleeping Princess, 1921. | src L. of CongressFlorence Van Damm :: Photograph of Bronislava Nijinska as the Humming Bird Princess in The Sleeping Princess, 1921. | src L. of Congress
Renate Bertlmann :: Zärtliche Pantomimen. Pantomime Schnuller-Tanz (Tender Pantomimes. Pantomime Pacifier-Dance), 1976. | src Sotheby’s | Renate Bertlmann began using rubber teats, rubber baby bottle nipples and condoms as substitutions for genitalia. These were also grafted onto wearable items, such as the mask and the crown or wig of udder-like nipples seen here.
Renate Bertlmann :: Zärtliche Pantomime. | Tender Pantomime, 1977. | src Richard Saltoun | Renate Bertlmann began using rubber teats, rubber baby bottle nipples and condoms as substitutions for genitalia. These were also grafted onto wearable items, such as the crown or wig of udder-like nipples seen here.