The Pageant of Past, Present and Future Fashions was held on 29th February 1928 (Leap Year Night) at Claridge’s (London) in aid of the Winter Distress League. The costumes for the dresses of the (far) future were designed by Cecil Beaton. The image above shows Ms. Freeman-Thomas in an outfit titled ‘The Ascot Dress of the Future’.
Detail from Mrs Freeman-Thomas by Cecil Beaton (formerly Miss Blossom Forbes-Robertson), 1928
Publicity still for the American romantic comedy film Bright Lights (Robert Z. Leonard, 1925) Lilyan Tashman in the perfume bottle costume designed by Erté in Bright Lights (Robert Z. Leonard, 1925)
Image retrieved from Wikimedia commons. Original source, according to Wikimedia: Vieira, Mark A. (2019). Forbidden Hollywood: The Pre-Code Era (1930-1934): When Sin Ruled the Movies (eBook). New York: Running Press. Hachette Book Group
Lilyan Tashman in the perfume bottle costume designed by Erté in the now lost silent film Bright Lights (Robert Z. Leonard, 1925) | src Grapefruitmoon Gallery on eBayLilyan Tashman in the perfume bottle costume designed by Erté in Bright Lights (Robert Z. Leonard, 1925)
Kostymskiss till Husmodern. Häxan i Vindarnas Kulle, Cramérbaletten. Av Torkel Edenborg. Costume sketch for Husmodern. The Witch in the Hill of the Winds, Cramér ballet. By Torkel Edenborg. | src Dansmuseet Korp. Mask till en av fyra korpar från uppsättningen “Domardansen”. Av Torkel Edenborg. Raven. Mask for one of four ravens from the “Judge’s Dance” set. | src DansmuseetMask till “Drängen” från uppsättningen “Vindarnas kulle”, Cramérbaletten. Av Torkel Edenborg. Farmer. Mask for “Drängen / Farmer” from the set “The Hill of the Winds”, Cramér ballet. | src Dansmuseet‘Cramer Baletten, Svenska Riksteatern’, a poster designed by Bjorn Wiimblad, 1980 (?). | src SwordersKorp. Mask till en av fyra korpar från uppsättningen “Domardansen”. Av Torkel Edenborg. Raven. Mask for one of the four ravens from the “Judge’s Dance” set. | src Dansmuseet
Romain de Tirtoff (Erté, 1892-1990) :: Scheherazade – La Nuit. Lithograph depicting a beauty in Middle Eastern garb. | src liveauctioneersRomain de Tirtoff (Erté, 1892-1990) :: Scheherazade; La Favorite du Calife (Calyph’s Favourite), lithograph depicting a beauty in Middle Eastern garb. | src liveauctioneersRomain de Tirtoff (Erté, 1892-1990) :: “Scheherazade – 8 “La Nuit Winter Garden NY”, 1924 (Gouache). | src liveauctioneersRomain de Tirtoff (Erté, 1892-1990) :: “A Beauty of Bagdad”, from Scheherazade series (nº7). | src Kodner AuctionsRomain de Tirtoff (Erté, 1892-1990) :: “Scheherazade. Thousand and One Nights”, from the Scheherazade Suite. | src Ro GalleryRomain de Tirtoff (Erté, 1892-1990) :: Harem Dancer (Calyph’s Concubine), from the Scheherazade Suite, ca. 1980. Lithograph. | src DoyleRomain de Tirtoff (Erté, 1892-1990) :: Almee (Harem dancer), from the Scheherazade Suite, ca. 1980. | src Martin Lawrence GalleriesRomain de Tirtoff (Erté, 1892-1990) :: [Scheherazade suite: A Thousand and One Nights], [ca. 1979] | src Freeman’sRomain de Tirtoff (Erté, 1892-1990) :: [Scheherazade suite:A Thousand and Second Night], [ca. 1979] | src Freeman’s
From : Walter Schnackenberg : Kostüme, Plakate und Dekorationen. Zweite Auflage. München, Musarion 1922. | src Ketterer KunstGreiner :: Peter Pathé in Groteske. From a book of Schnackenberg’s works, published in Munich in 1922 by Musarion. | src Ketterer KunstPeter Pathé in Groteske. Photo by Greiner. Costume design: Walter Schnackenberg. | src L’Affichiste
Erté (Romain De Tirtoff) :: “Queen of the Night”, 1985 (detail) | src Case Antique AuctionsErté (Romain De Tirtoff, Russian-French, 1892-1990) :: Color serigraph with silver and gold foil embossing titled “Queen of the Night”, numbered “PP 1/1”, 1985.
This publisher’s proof depicts the Queen of the Night from “The Magic Flute” opera by Wolfgang Amadeus Mozart, with four attendants holding the hem of her elaborate gown against a black background, surrounded on the left, bottom, and right edges by a gold star border. Numbered, in chalk, lower left, signed “Erté”, in chalk, lower right. Merrill Chase, Chicago, IL, gallery label, en verso. Housed under glass in a giltwood frame with a black linen liner with a giltwood fillet. Property of Milligan University, Milligan, Tennessee. source: Case Antique / Case Auctions
Erté (Romain De Tirtoff, Russian-French, 1892-1990) :: Color serigraph with silver and gold foil embossing titled “Queen of the Night”, numbered “PP 1/1”, 1985.
Karl Struss (1886-1981) :: Natacha Rambova, 1920s. [production still*]; Gelatin silver print. | src Amon Carter Museum of American ArtKarl Struss (1886-1981) :: Natacha Rambova, 1920s. [production still*]; Gelatin silver print. | src Amon Carter MuseumKarl Struss (1886-1981) :: Natacha Rambova, 1920s. [production still*]; Gelatin silver print. | src Amon Carter MuseumKarl Struss (1886-1981) :: Natacha Rambova, 1920s. [production still*]; Gelatin silver print. | src Amon Carter Museum
[*] production stills probably from the film Forbidden Fruit (Cecil B. DeMille, 1921). In the film Rambova (b. Winifred Shaughnessy), along with Mitchell Leisen, was the costume designer and Struss the cinematographer.