Actress Alexandra Rebikova

Ребикова, Александра Васильевна. Молоко в спектакле «Синяя птица». | Russian actress Alexandra Vasilievna Rebikova as Milk in the play «The Blue Bird» in costume designed by Vladimir Egorov (?) for Konstanin Stanislavski’s production of Maurice Maeterlinck’s «Oiseau Bleu» at the Moscow Art Theatre, 1908. | src academia.ru
Мей в спектакле «Сверчок на печи». Actress Alexandra Vasilievna Rebikova as May Fielding in the play «Cricket on the Hearth» at the Moscow Art Theatre. Unknown date, probably before 1908.
Мей в спектакле «Сверчок на печи». Actress Alexandra Vasilievna Rebikova as May Fielding in the play «Cricket on the Hearth» at the Moscow Art Theatre. Unknown date, probably before 1908. [Full scan of programme]
Portrait of Alexandra Vasilievna Rebikova. | src academia.ru

In 1915, Alexandra Rebikova began to star in the movies of the film company “A. Khanzhonkov and Co.” [Торгового дома «А. Ханжонков и К°] and very soon became one of the leading silent film actresses.

Alexandra Rebikova with Oleg Frelyh (Frelikh) in 1917 in the film «The Clay God» («Глиняный бог», a silent film by Nikolai Larin, 1918)
Alexandra Rebikova with Gregory Khmara (Chmara) in the film «Symphony of Sorrow» («Симфония горя», 1918) | src academia.ru

Orientalische Tänzerin, 1920

Walter Schnackenberg :: Ballet und Pantomime “Orientalische Tänzerin” (Oriental Dancer), plate # 18, 1920. | src 1st dibs

Maskerade (Lo Hesse)

Walter Schnackenberg :: Ballet und Pantomime ‘Maskerade’ (Lo Hesse), plate # 9, ca. 1920. | src 1st dibs

Carmen Tortola Valencia, 1912

Walter Schnackenberg :: The dancer Carmen Tortola Valencia, 1912. Watercolour, brush and India ink and opaque white over pencil on paper. | src Grisebach Autumn Auctions 2020

Tschaikiun, Lo Hesse

Walter Schnackenberg :: Ballet und Pantomime ‘Tschaikiun’ I, print # 3 (Lo Hesse), 1920. | src 1st dibs
Walter Schnackenberg :: ‘Tschaikiun’ II, plate # 17 (Lo Hesse), ca. 1920. | src Colletti Gallery

‘Primula Vera’ (Lo Hesse), 1920

Walter Schnackenberg :: Ballet und Pantomime ‘Primula Vera’ (Lo Hesse), plate # 7, 1920. | src 1st dibs “Schnackenberg was a regular contributor to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East.” (quoted from source)

Lo Hesse, Rollenporträt

Franz Xaver Setzer :: Dancer Lo Hesse, Rollenporträt | Role portrait, undated. (Primula Vera) | src Theatermuseum Wien
German dancer and model Lo Hesse was the muse of German Avant Garde designer Walter Schnackenberg in the 1910s. She was known for her extravagantly costumed performances with famed dancer Joachim von Seewitz.

Болт ~ The Bolt (1931)

Болт ~ The Bolt (1931). Inside the prop studio of the Pushkin Theater, where the costume of the Social-Democrat was taking shape. From: Silencing the Avant-Garde: Censorship and Film in the Soviet Union. | src GRAD ~ Gallery for Russian Arts and Design (London)
Rehearsals of The Bolt, 1931, Courtesy of GRAD and St Petersburg State Museum of Theatre and Music. From: Silencing the Avant-Garde: Censorship and Film in the Soviet Union. | src The New York Times
Rehearsals of The Bolt, 1931, Courtesy of GRAD and St Petersburg State Museum of Theatre and Music. From: Silencing the Avant-Garde: Censorship and Film in the Soviet Union. | src The New York Times
Rehearsals of The Bolt, 1931, Courtesy of GRAD and St Petersburg State Museum of Theatre and Music. From: Silencing the Avant-Garde: Censorship and Film in the Soviet Union. | src The New York Times

Wearing an Egyptian Costume

George Rinhart :: Miss Afton McWilliams, member of the New York Art Colony, who has gained fame with her paintings of Hollywood movie stars, and creations in dance costumes, is shown in an Egyptian costume of her own design. (original caption) | src Getty Images

Jean Börlin in Harlequin

Maurice Goldberg :: Jean Börlin i Harlekin, ca. 1920. | src Dansmuseet on IG
Jean Börlin in Harlequin (1920), with costume by Nils Dardel. | src Dansmuseet on IG