Revue star Helene Wehrle, 1928

Helene or Helen Wehrle (Tänzerin, USA) in ihrem akrobatischen Tanz in der Herman Haller Revue 'Wann und Wo', UHU Magazin 4/1928, Foto: Ernst Schneider | Getty Images
Helene or Helen Wehrle (Tänzerin, USA) in ihrem akrobatischen Tanz in der Herman Haller Revue ‘Wann und Wo’, UHU 4/1928, Foto: Ernst Schneider | getty images
Helen or Helene Wehrle (Tänzerin USA) in ihrem akrobatischen Tanz in der Herman Haller Revue ‘Wann und Wo’. Foto: Ernst Schneider, erschinen Nr. 38/1927 | getty images
Helen Wehrle (Tänzerin USA), mit einem Turban aus Brokat, erschienen UHU 3/1927, Foto: Ernst Schneider | src getty images
Die Tänzerin Helen Wehrle von Ernst Schneider. UHU, Band 4, Heft 3, Dezember 1927
Schneider :: Was ein Revue-Star können muß. Die Tänzerin Helene Wehrle, 1928 | What a revue star must be able to do. The dancer Helene Wehrle, 1928. @ Staatliche Museen zu Berlin, Kunstbibliothek

Anita Berber as Binga van der Wal

Atelier Binder :: German actress and dancer Anita Berber as "Binga van der Wal". Published in Die Dame 09/1917. | src and hi-res Getty Images
Atelier Binder :: German actress and dancer Anita Berber as “Binga van der Wal”. Published in Die Dame 09-1917. | src and hi-res Getty Images
Atelier Binder :: German actress and dancer Anita Berber as "Binga van der Wal". Published in Die Dame 09/1917. | src and hi-res Getty Images
Atelier Binder :: German actress and dancer Anita Berber as “Binga van der Wal”. Published in Die Dame 09/1917. | src and hi-res Getty Images

“Göttin der Nacht”: So hat ihr Biograf, der Berliner Kunsthistoriker Lothar Fischer, die Tänzerin getauft. Hier ist Anita Berber 1917 als “Binga van der Wal” zu sehen. Sie trat zunächst mit der Tanztruppe ihrer Lehrerin Rita Sacchetto auf. Noch während des Ersten Weltkriegs löste sie sich von Sacchetto, um als Solotänzerin zu reüssieren.

“Goddess of the Night”: This is how her biographer, the Berlin art historian Lothar Fischer, baptized the dancer. Here Anita Berber can be seen as “Binga van der Wal” in 1917. She first performed with the dance troupe of her teacher Rita Sacchetto. During the First World War she left Sacchetto’s troupe in order to succeed as a solo dancer.

quoted from Der Spiegel: Anita Berber – die Hohepriesterin des Lasters

Paul Jsenfels, Dancer, 1927

Paul Jsenfels :: Dancer, Stuttgart Dance School, printed 1927. Photoengraving. | src liveauctioneers
Paul Jsenfels :: Dancer, Stuttgart Dance School, printed 1927. Photoengraving. | src liveauctioneers
Paul Jsenfels :: Nude, ca. 1927. Photographed at the [Ida] Herion Dance School in Stuttgart. | src liveauctioneers
Paul Jsenfels :: Nude, ca. 1927. Photographed at the [Ida] Herion Dance School in Stuttgart. | src liveauctioneers

Agniel posing for de Mirjian · 1929

De Mirjian Studio ~ Marguerite Agniel posing with her back arched and legs stretched out over her head, wearing a two-piece costume and matching turban, in studio, 1929 | src Wellcome library
De Mirjian Studios ~ Marguerite Agniel posing with her back arched, feet and knees over her head, wearing a two-piece costume and matching turban, shot in studio, 1929 | src Wellcome library
John de Mirjian ~ Marguerite Agniel leaning on her shoulders (knees over her head), ca. 1929 | src Wellcome collection
De Mirjian Studios~ Marguerite Agniel posing leaning back, circa 1929 | src Wellcome library collection
John de Mirjian ~ Marguerite Agniel posing leaning back wearing a two-piece costume and matching turban, photographed in studio, 1929 | src Wellcome library collection
John de Mirjian ~ Marguerite Agniel seated in a Buddha position, wearing a two-piece costume and matching turban, photographed in studio, ca. 1929 | src Wellcome library
John de Mirjian Studios ~ Marguerite Agniel seated in a Buddha position, circa 1929. | src Wellcome collection