
William Carter :: Cascade, 1993, from the
“Illuminations” series. / src: wcarter
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images that haunt us

Max Burchartz :: Lotte (Eye), 1928 / src: MoMA

Max Dupain ::
Sandhills at Culburra Beach, New South Wales, ca. 1930 / src: State Library of New South Wales
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Jordi Socias :: Dalí / source: jordisocias.com
Ralph Eugene Meatyard ::
Untitled (Zen Twig), 1960. Vintage gelatin silver print. / src: Gitterman Gallery
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Karl Blossfeldt :: Adiantum pedatum
(Maiden hair fern), 1928.
/ src: memento
“Working
at the Hochschule für die Bildenden Künste (Berlin School for Decorative Arts),
he undertook a long-term project – collecting, classifying and drawing plants
in order to produce a unique portfolio of vegetation. In Berlin, Rome, Greece
and Africa, he puts together a photographic inventory of reality and flora.
[…] But Blossfeldt sees the form of a plant and its growth as an integral
universal part and pattern that can be applied to not only understanding human
beings but to architecture and industrial arts. A thistle brings to mind the
tympanum of a Gothic church, the stalk of a horsetail – an ancient column, the
coiled ends of ferns – a bishop’s crosier.”
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