Flower study by Edward Seymour

Edward Seymour :: Flower Study, ca. 1905. Die Kunst in der Photographie 1905
Edward Seymour :: Flower Study, ca. 1905. Die Kunst in der Photographie 1905
Edward Seymour :: Flower Study, ca. 1905. Die Kunst in der Photographie 1905
Edward Seymour :: Flower Study, ca. 1905. Die Kunst in der Photographie 1905

Potted Plants 1910s – 1940s (?)

Karl Struss :: The Attic Window, Dresden, 1909. Platinum print. | src Smithsonian American Art Museum
Karl Struss (1886-1981) :: The Attic Window, Dresden, 1909. Platinum print. | src Smithsonian American Art Museum
Karl Struss (1886-1981) :: Three Potted Plants in Window [Chrysanthemums], Willard White NYC, 1911. Platinum print. | src Amon Carter Museum of American Art
Karl Struss :: Three Potted Plants in Window [Chrysanthemums], Willard White NYC, 1911. Platinum print. | src Amon Carter Museum
Johan Hagemeyer :: Rex begonia in window of Carmel house. [photographic print] | src OAC · Calisphere
Johan Hagemeyer :: Rex begonia in window of Carmel house. [photographic print] | src OAC · Calisphere
Johan Hagemeyer (1884-1962) :: [Plant.] [negative], n.d. | src OAC · Calisphere
Johan Hagemeyer (1884-1962) :: [Plant.] [negative], n.d. | src OAC · Calisphere
Johan Hagemeyer :: [Plants. Unidentified interior] [negative] | src OAC · Calisphere
Johan Hagemeyer :: [Plants. Unidentified interior] [negative] | src OAC · Calisphere

Chrysantheme, 1896-1906

Wilhelm Weimar (1857–1917) :: Chrysantheme, 1896-1906. | src MK&G ~ Museum für Kunst und Gewerb
Wilhelm Weimar (1857–1917) :: Chrysantheme, 1896-1906. | src MK&G ~ Museum für Kunst und Gewerb
Wilhelm Weimar (1857–1917) :: Chrysantheme, 1896-1906. | src MK&G ~ Museum für Kunst und Gewerbe
Wilhelm Weimar (1857–1917) :: Chrysantheme, 1896-1906. | src MK&G ~ Museum für Kunst und Gewerbe

The Shadows on the Wall, 1906

Adolf de Meyer :: The Shadows on the Wall (Chrysanthemums), 1906. Platinum print.
Focusing his camera not on a still life per se, but on its evanescent trace, de Meyer creates a composition that approaches abstraction. (…) Here, the shadow of a vase of flowers cast onto the wall has the effect of a Japanese lacquered screen. | src Alfred Stieglitz Collection, MetMuseum