Toodles by Alvin L. Coburn

Alvin L. Coburn (1882–1966) :: ‘Toodles (Elsie Thomas)’, ca. 1908. Gelatin silver print, printed in the 1980s | Ostlicht Auktion 2023

Coburn was given his first camera at the age of eight and was introduced to photography by his cousin Fred Holland Day. As early as 1902 he became a member of the New York Photo-Secession initiated by Alfred Stieglitz, and two years later his first pictures appeared in Stieglitz’s magazine “Camera Work”. A vintage print of this beautiful motif is hold at The Museum of Fine Arts, Houston (MFAH), there titled and dated. Coburn also made autochromes of the same model, showing the red colour of her kimono.

Alvin Langdon Coburn (1882–1966) :: ‘Toodles (Elsie Thomas)’, ca. 1908 | Ostlicht Auktion 2023
Alvin Langdon Coburn :: Elsie Thomas in an Eastern costume sitting on a hammock, ca.1908. Autochrome
Alvin Langdon Coburn :: Elsie Thomas in a red an Eastern costume with sunflower, ca.1908. Autochrome Lumière
Alvin Langdon Coburn :: Elsie Thomas (‘Toodles’) in an Eastern costume, ca.1908
Alvin Langdon Coburn :: Elsie Thomas wearing an Eastern costume, ca.1908

Grit Hegesa by Riess ca. 1920

Frieda Gertrud Rieß ~ Grit Hegesa in the role of Harlequin, late 1910s | src getty images
Grit Hegesa. German postcard by Ross Verlag, no. 363/1, 1919-1924. Photo: Frieda Riess | src flickr
Frieda Gertrud Riess ~ Die Tänzerin Grit Hegesa, um 1920. | src Die Riess exhibit at Das Verborgene Museum
Grit Hegesa. German postcard by Ross Verlag, no. 363/1, ca. 1920. Photo: Frieda Riess | src alamy
Frieda Gertrud Riess :: Die Tänzerin Grit Hegesa, um 1920. | src Die Riess exhibit at Das Verborgene Museum
Frieda Gertrud Riess ~ Die Tänzerin Grit Hegesa, um 1920. | src Die Riess exhibit at Das Verborgene Museum

Tao-Hoa role · The Red Poppy

Efraim Zalmanovich Lesov :: Tatyana Mikhailovna Vecheslova as the Chinese girl Tao-Hoa in the ballet “The Red Poppy”. Vintage postcard (nº 80), published by GATOB / S. M. Kirova in 1951. | src Presidential Library
Efraim Zalmanovich Lesov :: Lyubov Voyshnis as Tao Hoa in the Soviet ballet «Красный мак» (The Red Poppy), 1951. Vintage S.M. Kirova postcard, (Nr. 90) printed in 1951. | src Presidential Library

Maria Ley-Piscator, 1922

Madame D'Ora :: Die Tänzerin Maria Ley-Piscator war auch eine berühmte Choreografin, Regisseurin und Dozentin für Tanz. Hier als chinesisches Tanzmädchen verkleidet, 1922. | 
Dancer Maria Ley-Piscator. Dressed here as a Chinese dance girl, 1922. | src Bildergipfel, from Madame d'Ora - Die Grande Dame der Mode und Künstlerfotografie and Getty Images
Madame D’Ora :: Die Tänzerin Maria Ley-Piscator war auch eine berühmte Choreografin, Regisseurin und Dozentin für Tanz. Hier als chinesisches Tanzmädchen verkleidet, 1922. |
Dancer Maria Ley-Piscator. Dressed here as a Chinese dance girl, 1922. | src Bildergipfel, from Madame d’Ora – Die Grande Dame der Mode und Künstlerfotografie and Getty Images

Lo Hesse in Tschaikiun, 1921

Franz Xaver Setzer :: German dancer Lo Hesse in a Chinese pantomime [Tschaikiun] and wearing a mask, Vienna, 1921. Costume design by Walter Schnackenberg. | src Imagno · Getty Images
Walter Schnackenberg :: Ballet und Pantomime ‘Tschaikiun’ II (Lo Hesse), 1920. | src Colletti Gallery
lo hesse
Atelier Setzer, Wien (1909 – 1939 Atelier) :: Lo Hesse. Rollenpörtrat. Fotopapier auf Karton. | src Theatermuseum Wien
Walter Schnackenberg :: Ballet und Pantomime ‘Tschaikiun’ I, print # 3 (Lo Hesse), 1920. | src 1st dibs