Joseph T. Keiley (American, 1869–1914) :: A Garden of Dreams, 1899, glycerine and platinum print. | src Buffalo AKG Art MuseumJoseph T. Keiley (American, 1869–1914) :: A Garden of Dreams, 1907. Halftone. From Camera Work | src Philadelphia Museum of ArtJoseph T. Keiley (1869–1914) :: A Garden of Dreams, 1907. Halftone. From the journal Camera Work | src Philadelphia Museum of Art
Anne W. Brigman :: The Wondrous Globe. Camera Work: A Photographic Quarterly — 1912 (Heft 38). Photogravure.Anne W. Brigman :: The Wondrous Globe. Camera Work: A Photographic Quarterly — 1912 (Heft 38). Photogravure. | src Universitätsbibliothek Heidelberg
Karl Struss (1886-1981) :: Ducks on Lake Como. Photogravure published in Camera Work nº 38, 1912. | src Modernist Journals ProjectKarl F. Struss (1886-1981) :: Ducks on Lake Como. Photogravure published in Camera Work nº 38, 1912. | src Modernist Journals ProjectKarl F. Struss (1886-1981) :: Ducks, Lake Como, 1909, printed 1912. Hand-pulled photogravure printed by Alfred Stieglitz. Published in Camera Work # 38 (1912) | src Amon Carter MuseumKarl F. Struss (1886–1981) :: Near Lake Como [Woman walking along a road], 1909. Platinum print. | src Museum of Fine Arts (MFA) BostonKarl Fischer Struss (1886-1981) :: On Lake Como, 1909. Platinum print. | src Amon Carter Museum of American Art
Baron Adolph de Meyer :: Flower Study, 1908. Autochrome. (Royal Photographic Society Collection) | src The Dawn of Colour at Science and Media MuseumBaron Adolf de Meyer :: Still Life # 3, 1908. Halftone printed from an Autochrome. | src eBayBaron Adolf de Meyer :: Still Life # 3, 1908. Halftone printed from an Autochrome. | src eBayStill Life, ca. 1908. From an Autochrome by Baron A. de Meyer. From: “Colour Photography and other Recent Developments of the Art of the Camera”. Charles Holme ed., 1908. | src internet archiveBaron Adolf de Meyer :: Still Life, 1908. Halftone printed from an Autochrome. | src eBayBaron Adolf de Meyer :: Still Life, 1908. Halftone printed from an Autochrome. | src eBay
These studies, titled Still-life (Nature morte; Stillleben), are halftones printed from the original Autochrome dating from 1908; both were published in “Colour Photography and other Recent Developments of the Art of the Camera” a British companion along with “Art in Photography”, to Camera Work, the important American photo secessionist magazine published by Alfred Stieglitz. | src eBay & eBay
Edward J. Steichen :: Dolor, ca. 1903. Halftone plate nº 5. Published in Camera Work: A Photographic Quarterly nº 2 (1903-04). | src Brown University Library
Edward J. Steichen :: Nude with Cat, ca. 1903. Halftone plate nº 3. Published in Camera Work: A Photographic Quarterly No. 2 (1903-04). | src Brown University Library originally posted on and censored by tumblr
Edward Steichen :: Étude de nu, ca. 1903. Photogravure. Published in L’Épreuve Photographique: Deuxième Série: 1905. Printer: Charles Whittmann. This nude study by Steichen is better known as Nude with Cat, and was published as a halftone plate in Camera Work II in 1903. This variant version shows more of the original background to the photograph, including what appears to be a tree branch silhouetted behind the model. | src Photoseed