Tag: cabaret

Eduard Wiiralt · Cabaret

Eduard Wiiralt (Estonia, 1898-1954) ~ Cabaret, 1931. Eau-forte sur papier (detail 1)
Eduard Wiiralt (Estonia, 1898-1954) ~ Cabaret, 1931. Eau-forte sur papier (detail 2)
Eduard Wiiralt (Estonia, 1898-1954) ~ Cabaret, 1931. Eau-forte sur papier (detail 3)
Eduard Wiiralt (Estonia, 1898-1954) ~ Cabaret, 1931. Etching, copper engraving | src EKM Eesti Kuntimuuseum (KUMU)
Eduard Wiiralt (Estonia, 1898-1954) ~ Cabaret, 1931. Etching
Eduard Wiiralt (Estonia, 1898-1954) ~ Cabaret, 1931. Etching (Detail 2)
Eduard Wiiralt (Estonia, 1898-1954) ~ Cabaret, 1931. Etching (Detail 3)
Eduard Wiiralt (Estonia, 1898-1954) ~ Cabaret, 1931. Etching (detail 1)
Eduard Wiiralt (Estonia, 1898-1954) ~ Cabaret, 1931. Eau-forte, gravure sur cuivre | src Musée Félicien Rops

Der König rief seinen Tambour

Karl Schenker :: E. Awach in the cabaret “Der König rief seinen Tambour” (The King Called His Tambour Player), a performance by the Yushny Theater in Berlin. Published in ‘Die Dame’ 15/1922 + ‘A.V.’ 19/22. (Photo by Karl Schenker) | src Getty Images

Die 11 Scharfrichter

Thomas Theodor Heine :: Marya Delvard. Die 11 Scharfrichter. The Eleven Executioners was the first popular cabaret in Germany, and its subject matter was political humour. Marya Delvard used to sing underneath a single spotlight, creating a performance that was both chilling and enticing. This poster is from a 1902 performance. | src The Guardian

Hölle by Atelier Willinger, ca. 1920

Atelier Willinger, Wien :: Hölle (Revuefoto). Revue scene from the cabaret “Die Hölle”, das sich in dem heutigen Pausenraum des Theaters an der Wien befand, ca. 1920. | src and © Theatermuseum, Wien. Permalink (zitierbarer Link) zu dieser Seite: www.theatermuseum.at/de/object/8b015ba0ec/