Autumn · The Larsen Dancers

Nude (Miss Thompson) 1907

Clarence H. White :: Untitled (Miss Thompson with nude torso and glass globe behind her), 1907. | src Princeton Univ. Art Museum — **Clarence H. White ::** Untitled (Miss Thompson with nude torso and glass globe behind her), 1907. | src Princeton Univ. Art Museum

Letitia Felix by C.H. White

Clarence H. White (1871–1925) :: Letitia Felix holding her skirts, ca. 1897. Platinum print with graphite

Clarence H. White (1871–1925) :: Letitia Felix holding her skirts, ca. 1897. Platinum print with graphite. | src Princeton University Art Museum — **Clarence H. White** (1871–1925) :: Letitia Felix holding her skirts, ca. 1897. Platinum print with graphite. | src Princeton University Art Museum

Clarence H. White (1871–1925) :: Letitia Felix in woods [1/3], ca. 1895–1900. Platinum Print. | src Princeton University Art Museum — **Clarence H. White** (1871–1925) :: Letitia Felix in woods [1/3], ca. 1895–1900. Platinum Print. | src Princeton University Art Museum

The Mirror, 1912 (C.H. White)

Clarence Hudson White :: The Mirror, 1912. From: Photo-Secession: Painterly Masterworks of Turn-of-the-Century Photography at D'Amour Museum of Fine Arts · Springfield Museums — **Clarence Hudson White ::** The Mirror, 1912. From: Photo-Secession: Painterly Masterworks of Turn-of-the-Century Photography at D’Amour Museum of Fine Arts · Springfield Museums

The Torso (Miss Thompson)

clarence h. white, pictorialism, female nude, 1900s, photosecessionism, american pictorialism

**Clarence H. White** & **Alfred Stieglitz ::** Torso, ca. 1907. From Camera Work: A Photographic Quarterly nº 27 (1909-07), July 1909. | src Brown University Library

**Clarence H. White** (1871-1925) & **Alfred Stieglitz** (1864-1946) :: Torso, 1907 {printed later, 1909}. Hand pulled photogravure. | src NSW

Clarence Hudson White :: Untitled (Miss Thompson), 1907. Platinum print. | src Princeton University Art Museum — **Clarence Hudson White** :: Untitled, 1907. Platinum print. | src Princeton University Art Museum

**Clarence Hudson White** :: Untitled [Miss Thompson], 1906-07. Platinum print. | src Princeton University Art Museum

**Clarence Hudson White** :: The Torso, 1907. | src Princeton University Art Museum

The Readers by C.H. White

Clarence H. White :: The Readers (Letitia Felix and Ada Follett), Newark, Ohio, 1897. Platinum print. (Detail)

Clarence Hudson White :: The Readers (Letitia Felix and Ada Follett), Newark, Ohio, 1897. Platinum print. (Detail) — **Clarence H. White ::** The Readers (Letitia Felix and Ada Follett), Newark, Ohio, 1897. Platinum print. (Detail) | src Library of Congress

Clarence Hudson White :: The Readers (Letitia Felix and Ada Follett), Newark, Ohio, 1897. Platinum print. | src Library of Congress — **Clarence Hudson White ::** The Readers (Letitia Felix and Ada Follett), Newark, Ohio, 1897. Platinum print. | src Library of Congress

C.H. White portraits (1900s)

**Clarence Hudson White ::** Mrs. Fox (Kate Parsenau), New York, 1910. Platinum print. | src Library of Congress
better resolution: image below

**Clarence H. White ::** Kate (Parsenau) Fox, head-and-shoulders portrait, facing left, 1910. Platinum print. | src: Library of Congress

Clarence H. White :: Girl with Bowl, 1907. Platinum print. | src Princeton University Art museum — **Clarence H. White ::** Girl with Bowl, 1907. Platinum print. | src Princeton University Art museum

In his first years as a photographer, White concentrated on genre subjects like this one, often using young women as his models. Throughout his career, he continued to photograph women, from his mother and members of his wife’s family to well-known actresses of the day, such as Maude Adams. White attempted to imbue women with notions of truth and beauty, a view not uncommon among the photographers known as Pictorialists, who considered the female subject to be the most artistic and spiritual choice in the history of art. Photographs like this one allowed White to experiment with dramatic lighting while simultaneously relating photography to a long tradition of painting, through his use of a female model. [source of text]