Coiffure empire · Bonnet vert

André Hachette :: Coiffure empire [Portrait en médaillon de jeune femme], 1907-1945. Plaque de verre Autochrome.
André Hachette :: Bonnet vert [Jeune femme en buste, coiffe verte], 1907-1945. Plaque de verre Autochrome.
src Société française de photographie

Nudes by Yvonne Gregory

Yvonne Gregory (British, 1889-1970) :: Nude, ca. 1935. Matt warm-toned gelatin silver print, mounted on paper, the front signed in pencil, verso with photographer’s label, copyright limitation and label from the Camera Club Permanent Collection. | src Bonhams
Yvonne Gregory :: ‘The Veil’ (Nude study), 1930. Matt warm-toned gelatin silver print, mounted on paper, the front signed in pencil, the verso titled and signed in pencil, with label from the Camera Club Permanent Collection. | src Bonhams
Yvonne Gregory :: ‘In the Sunlight’. Nudes in Nature, 1940s. Matt warm-toned gelatin silver print, mounted on paper, the front signed in pencil, titled on verso with an assortment of labels including photographer’s credit and copyright limitation. | src Bonhams

Nude by Lucien Waléry, 1920s

Lucien Waléry [aka, Laryew, Yrélaw] :: Untitled female nude [1920s]. Photogravure in Sepia. From a collection of 100 Art Deco nudes by the Parisian photographer Waléry, who also used the anagrams Yrélaw or Laryew. He photographed mostly revue dancers 100 years ago – namely Josephine Baker and Mata Hari. Waléry is often confused with Stanislaw Julian Ignacy Count Ostroróg, maybe because from a stylistic point of view, Waléry and Count Ostoróg could very well have been one and the same person (cf. Jürg H. Meyer, Wer war Walery?). Quoted from source. | src Jeschke · Van Vliet