
Dancer Georgia Graves, 1928

images that haunt us






Man Ray :: Marie-Laure de Noailles, 1927 [full-length portrait of woman disguised for futurist party, shadow on wall, large dress with hat above, naked arms, shark skin costume made by Jean-Michel Franck]
| src Man Ray Trust – Adagp
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Floris M. Neüsuss :: Ohne Titel | Untitled [Female Atlas], München (Munich), 1959 | src Muenchner Stadtmuseum
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Alice M. Boughton :: Dawn, 1909. Photogravure. Published in Camera Work, issue Nº 26, 1909. | src Minneapolis Institute of Art
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Maurice Goldberg :: Dancer Desha Delteil. Published in Shadowland April 1922 issue. | src magazine rack
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Blanche Sweet (?) in costume, 1923. Forms part of Frances Benjamin Johnston Collection (src: Library of Congress)

The Beaumont Ball in Paris 1924 (an event with a guest list so selective that Gabrielle Coco Chanel was excluded for being too ‘trade’), was a homage to Pablo Picasso and the Cubists. The dress made entirely from wires and lights, it was too wide for the entrance to Beaumont’s ballroom: the artist Christian Bérard, who witnessed Marchesa Luisa Casati attempting to squeeze through the doorway, reported that she collapsed like a “smashed zeppelin”. (x)
De Beaumont’s fêtes reached an apex in 1924 with the ballet series Soirées de Paris, which took place at the Théâtre de la Cigale in Montmartre from May 17 to June 30, 1924. An homage to the review of the same name by Guillaume Apollinaire, the series included the scandalous ballet Mercure, which featured music composed by Erik Satie, sets and costumes designed by Pablo Picasso, and choreography devised by Léonide Massine. (x)
src lamarchesacasati