Tag: Art Nouveau, Jugendstil, Munich Secession, Vienna Secession, Stile Liberty, Modernisme Català

Femme à la marguerite

Alphonse Mucha :: Femme à la marguerite, 1899-1900. 3 tissus imprimés: impression au cylindre sur velours de coton, polychrome. | src Bibliothèque Forney

Nymphette on a Rock

Alphonse Mucha :: Nymphette on a Rock, from Documents Decoratifs par A.M.Mucha published by Librairie Centrale des Beaux Arts. Paris, France, 1902-03. | src V&A Museum

Liverpool Art School

R. Anning Bell :: Liverpool Art School. From: Posters; a critical study of the development of poster design in continental Europe, England and America by Charles Matlack Price (1913) New York: G.W. Bricka. | src Smithsonian Libraries @ internet archive

Nymph, 1902-03

Alphonse Mucha :: Nymph in front of a Daffodil frieze, from Documents Decoratifs par A.M.Mucha and published by Librairie Centrale des Beaux Arts. Paris, France, 1902-03. | src V&A Museum

Gismonda and La Samaritaine

Alphonse Mucha :: Gismonda & La Samaritaine. (Sarah Bernhardt), 1890s. From: Posters; a critical study of the development of poster design in continental Europe, England and America by Charles Matlack Price (1913) New York: G.W. Bricka. | src Smithsonian Libraries @ internet archive

Médée (Sarah Bernhardt)

Alphonse Mucha :: Médée (Sarah Bernhardt), 1898. From: Posters; a critical study of the development of poster design in continental Europe, England and America by Charles Matlack Price (1913) New York: G.W. Bricka. | src Smithsonian Libraries @ internet archive

Kind mit Nimbus auf einer Blumenwiese, um 1909

Egon Schiele :: Kind mit Nimbus auf einer Blumenwiese, um 1909. Bleistift, Tusche laviert, auf Zeichenpapier. | Child with a nimbus on a flower meadow, around 1909. Pencil, washed ink, on drawing paper. | src Albertina Museum Online Collection
1909 entwirft Egon Schiele für die Wiener Werkstätte einige Postkarten, die allerdings nie gedruckt wurden. Stilistisch sind diese Postkartenentwürfe eng miteinander verwandt. Ihr radikaler Flächenstil macht sie trotz ihres kleinen Formats zu Hauptwerken Schieles aus seiner Jugendstilphase. (In 1909 Egon Schiele designed some postcards for the Wiener Werkstätte, which were never printed. Stylistically, these postcard designs are closely related to one another. Despite their small format, their radical surface style makes them one of Schiele’s main works from his Art Nouveau phase.) quoted from Albertina Collection Online