André Kertész :: Gyula Zilzer and Girlfriend, 1926. | src Art Institute ChicagoAndré Kertész :: Peggy Rosskam, 1927. | src Art Institute ChicagoAndré Kertész :: Unidentified Sitters, 1926. | src Art Institute ChicagoAndré Kertész :: Untitled (Portrait of Female German Journalist), ca. 1927. | src Art Institute ChicagoAndré Kertész :: Self-Portrait, July 1927. Kertész sent this print to his brother Jenő with the inscription, “To my younger brother, Bandi.” | src High Museum of Art
André Kertész :: Unidentified Sitter, 1926-1927. Printed on carte postale paper. | src Art Institute ChicagoAndré Kertész :: Unidentified Sitter, 1926-1927. Printed on carte postale paper. | src Art Institute Chicago
André Kertész :: Hilda Daus, 1927. Gelatin silver print on carte postale paper. Hilda Daus was a German handcraft artist; Kertész also made a carte postale print of her delicate tabletop sculptures. He included the image here in his first exhibition in Paris, in 1927 at the gallery Au Sacre du Printemps, where Daus also exhibited. | src High Museum of Art
André Kertész :: Portrait of Miss R., 1926. Silver Gelatin Print on baryta paper. | src Städel Museum The mysterious Mrs. R. exudes a strange mix of distance and intimacy, strength and fragility. Her heavy-lidded eyes are half closed and her melancholy gaze cuts straight through the onlooker. Kertész’s photographs are steeped in silent poetry.André Kertész :: Anne-Marie Merkel, 1926. | src Art Institute ChicagoAndré Kertész :: Anne-Marie Merkel, 1926. Printed on carte postale paper. | src Art Institute ChicagoAndré Kertész :: Anne-Marie Merkel [Mme Repsz], Paris, 1926-27. | src The J. Paul Getty Museum Anna-Marie Merkel was an artist from Berlin who, along with André Kertész, was a habitué of the Café du Dôme in Montparnasse. She was one of several women he photographed in 1927.
André Kertész :: Un Avion Passe (A plane flies over), cover and pictorial section on the automobile. Vu. Journal de la semaine, no.61, May 15, 1929. | stc James McArdle
André Kertész :: Self-Portrait with Rogi André (Rózsa Klein) and unidentified friend, Hôtel des terrasses, Montmartre, Paris, 1926. | src James McArdle
André Kertész :: Attention au virage (‘Watch the bend’). Actress Blanche Montel. Vu. Numéro spécial du Salon de l’automobile (n. 029), 3 octobre 1928. | src Musée Nicéphore-Niépce
André Kertész :: Untitled (Distortion # 165), ca. 1932-1933. | src Art Institute ChicagoAndré Kertész :: Untitled (Distortion # 164), ca. 1932-1933. | src Art Institute ChicagoAndré Kertész :: Untitled (Distortion # 176), ca. 1932-1933. | src Art Institute ChicagoAndré Kertész :: Untitled (Distortion # 42), ca. 1932-1933. | src Art Institute Chicago
Related
André Kertész :: Pigalle at Night, 1929 | via casadabiqueira