

images that haunt us



Clementina Maude, her mother’s preferred model, is seen here in a reflective pose against a star-studded wall. The casual placement of the shawl on the table and the girl’s loose hair contribute to the feeling of intimacy. In the airy room time seems to be suspended. The sensuous curves of the table legs, the soft weight of the crushed velvet, and the crispness of the starry wallpaper are enhanced by the skillful handling of the collodion technique. The composition, devoid of Victorian clutter, brings together light, shadow, and compositional elements in a spare and appealing interplay. In contrast to the prevailing fashion of giving literary or sentimental titles to portraits of young women, Lady Hawarden titled her works simply “Photographic Study”.






[Young Woman, Sicily, Italy] by Wilhelm von Gloeden, The Met’s Photos
Gift of Milton Radutzky, 1983
Metropolitan Museum of Art, New York, NY
Medium: Albumen silver print from glass negative

Seneca Ray Stoddard :: “Killoquah” at foot of Raquette Lake, ca. 1880s or 90s, albumen print.
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19th Century American Photographs at Lee Gallery

Édouard Baldus (French, born Prussia, 1813–1889) :: Le Moine, ca. 1861. Albumen silver print from paper negative. | source: The Met

Pascal Sebah :: Untitled (from a series of views from Egypt), 1870’s. Albumen prints. / src: Lempertz