La photographie érotique

Female Nude. Attributed to Félix Jacques Moulin (French, 1802 - 1875); 1856; Albumen silver print. From «Reconsidérer la photographie érotique» | src l'œil de la photographie
Female Nude. Attributed to Félix Jacques Moulin (French, 1802 – 1875); 1856; Albumen silver print. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l’œil de la photographie
Anonyme, Académie, vers 1845, daguerréotype. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l'œil de la photographie
Anonyme, Académie, vers 1845, daguerréotype. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l’œil de la photographie
Anonyme, Nu, vers 1848, daguerréotype (stereo). From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l'œil de la photograp
Anonyme, Nu, vers 1848, daguerréotype (stereo). From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l’œil de la photographie
Two Women Embracing. Unknown French maker; about 1848; Daguerreotype, hand-colored. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l'œil de la photographie
Two Women Embracing. Unknown French maker; about 1848; Daguerreotype, hand-colored. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l’œil de la photographie

The title is intriguing: «Reconsidérer la photographie érotique». (“Reconsidering erotic photography”).
The text itself is brilliant and of great intelligence.

In this 1987 essay, historian Abigail Solomon-Godeau traces avenues for exploring a history of erotic and pornographic photographic production, a history hitherto repressed and absent from narratives. Thus opening the door to a feminist and revised history of the photographic medium, she shows how much this imagery has been abundant and present almost from the origins of photography. In “Reconsidering erotic photography”, Abigail Solomon-Godeau analyzes the ways in which naked bodies are presented in several photographic images from the 1840s-1850s, whether academic nudes or images intended for other types of visual consumption, and questions the specificity of photographic representation as opposed to other mediums. Supporting feminist theories, she raises the question of how these images are viewed, and the ambiguity of their designation, between eroticism and pornography. At the heart of this pioneering essay in the history of photography, she defends the need to write the history of these often set aside productions.

Reconsidérer la photographie érotique.
Notes pour un projet de sauvetage historique
Abigail Solomon-Godeau
Éléonore Challine (éd. et trad.),
Éditions de la Sorbonne,2022
http://www.editionsdelasorbonne.fr/fr/livre/?GCOI=28405100818380

quoted from l’œil de la photographie

Studio Felice Beato, 1860s-1880s

Studio of Felice Beato :: Flower Seller, ca. 1860-1880s. Albumen print – Hand Colored. Mounted on “Star Photo Leaf Album”. | src Holden Luntz Gallery
Studio of Felice Beato :: Four Ladies in a Garden, ca. 1860-1880s. Albumen print – Hand Colored. Mounted on album page. | src Holden Luntz Gallery
Studio of Felice Beato :: Girl Dancing and Two Girls Playing Shamisens, ca. 1860-1880s. Albumen print – Hand Colored. | src Holden Luntz Gallery

Elsa Kasimir, 1908

Atelier d’Ora ~ Benda :: Elsa Kasimir, 1908. Inscribed and dated on verso: “Elsa Kasimir / Matte-Albumen blue toned / 1908 / background: Dürnstein, Wachau” and “Picture 305”. | src MK&G ~ Museum für Kunst und Gewerbe (Hamburg)

Cats and cat people

Chats. Photographe anonyme. France, vers 1870. Tirage sur papier albuminé. | src Lumière des roses – Other Pictures Spécial Noël
Photographe anonyme. Matelot et chat rescapés d’un naufrage. Angleterre, vers 1920. Tirage argentique. | src Lumière des roses – Paris Photo
Pirate bathing beauties. Photographe anonyme. Long Beach, New York. États-Unis, vers 1930. Tirage argentique. | src Lumière des roses – Other Pictures Spécial Noël