Jenny Hasselqvist film-portraits

Jenny Hasselqvist as Marit in Mauritz Stiller’s Johan (1921), based on the novel Juha by Juhani Aho. | src IMdB
Jenny Hasselquist in Mauritz Stiller’s film Johan, 1921, photo from Hasselquist’s archive.
Jenny Hasselquist i Mauritz Stillers film Johan, 1921, foto ur Hasselquists arkiv. | src Dansmuseet · IG
Jenny Hasselquist i filmen Brennende Grenze (Aftermath, aka The Jackals), 1926, foto: okänd. | src Dansmuseet on IG

Die Blätter mit dem Tod, 1918

Die Blätter mit dem Tod (The Leaves with Death), cover title: Ein Totentanz by Alfred Kubin. Berlin, Bruno Cassirer, 1918. Book of 25 unpaginated leaves, printed on rectos only. First edition with the cover title "A Dance of Death". | src Bassenge Auktionen
Die Blätter mit dem Tod (The Leaves with Death), cover title: Ein Totentanz by Alfred Kubin. Berlin, Bruno Cassirer, 1918. Book of 25 unpaginated leaves, printed on rectos only. First edition with the cover title “A Dance of Death”. | src Bassenge Auktionen
Alfred Kubin :: Die Blätter mit dem Tod; [cover title]: Ein Totentanz. Berlin: Bruno Cassirer, 1918. First Edition. Kubin's sequence of 24 lithographic images depicts death in a variety of contexts and including the title page and final vignette, in which which a gravestone bears the the artist's own name; the cover is an additional lithograph. Kubin was well known for his explorations of macabre and satirical subject matter. This interpretation of the "Dance of Death" appeared at a moment when four years of world war and a spreading influenza pandemic meant that virtually no-one was untouched by death. | src locus solus rare books
Alfred Kubin :: Die Blätter mit dem Tod; [cover title]: Ein Totentanz. Berlin: Bruno Cassirer, 1918. First Edition. Kubin’s sequence of 24 lithographic images depicts death in a variety of contexts and including the title page and final vignette, in which which a gravestone bears the the artist’s own name; the cover is an additional lithograph. Kubin was well known for his explorations of macabre and satirical subject matter. This interpretation of the “Dance of Death” appeared at a moment when four years of world war and a spreading influenza pandemic meant that virtually no-one was untouched by death. | src locus solus rare books
Alfred Kubin :: Das Ballgespenst [The Ball Ghost], thirteenth plate in the book Ein Totentanz. Folio, 25 unpaginated leaves, printed on rectos only (Berlin, Bruno Cassirer, 1918). | src Fine Arts Museums of San Francisco
Alfred Kubin :: Das Ballgespenst [The Ball Ghost], thirteenth plate in the book Ein Totentanz. Folio, 25 unpaginated leaves, printed on rectos only (Berlin, Bruno Cassirer, 1918). | src Fine Arts Museums of San Francisco

Virna Haffer · Aftermath

Virna Haffer (1899-1974) ~ Untitled [tree and chair], ca. 1962. From the series Aftermath [Photogram] | src National Gallery of Australia (NGA)
Virna Haffer (1899-1974) ~ from: Aftermath (series), ca. 1962 [Photogram] | src WSHS Washington State Historical Society