
Lotte Jacobi :: Birdform, 1946-1955 (printed 1981). One of Jacobi’s “photogenics” as she named her photograms./ src Akron Art Museum
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images that haunt us

Lotte Jacobi :: Birdform, 1946-1955 (printed 1981). One of Jacobi’s “photogenics” as she named her photograms./ src Akron Art Museum
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Lotte Jacobi :: Bird in Flight – Homage to Brancusi
, 1946-1955 (printed 1981). One of Jacobi’s “photogenics” as she named her photograms./ src Akron Art Museum
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Though best known for her portraits of famous people, Jacobi also experimented with abstraction in her “photogenics.” She described making these photograms (photographs made without a camera) as drawing on photo-sensitized paper by moving the light source. While photography is most often used to document the external world, Jacobi’s abstractions are a vehicle for imagination.




The dancer Valerie Bettis in Desperate Heart, 1944 (printed ca. 1982) by Barbara Morgan. This image of modern dancer and choreographer Valerie Bettis performing her signature work approaches abstraction. Her body is almost completely obscured by the cascading fabric of her skirt. | akron art museum