Tag: 2020s
laviniaschulz by Thomas Ruff
The neg◊laviniaschulz subgroup from the series of Negative are expressionist dance studies of the dancer Lavinia Schulz and the actor Walter Holdt in full-body masks, which they both designed together in the early 1920s.
The starting point of the series are photographs of the 19th and 20th century (by Minya Diez-Dührkoop), which have a typical brown patina and whose motifs cover the entire range of historical photography. When these photographs are inverted (reversing the positive into the negative), a high-contrast blue tone emerges, and the compositional design comes to the fore. Thus, the negative, the actual ‘original’ of a photograph, which threatens to disappear completely due to the triumph of digital photography, becomes the object of contemplation.
text adapted from source : Mai 36 Galerie
Flowers by Araki & von Bismarck
Cupido · Hommage to Shoji
Catherine Larré · Anthèses
Gommans’ Flowers in Dutch Light
All images: Archival Pigment Prints on Hahnemuhle Fine Art Paper
A Declaration of Love
This series celebrates flowers – capturing their different phases and the variety of shapes and colours – each telling their own story. In beautiful detail it depicts how the light emphasises the elegance of the stem, or how it catches the leaf, or how it allows us to catch a glimpse of the brittle petals and the burst of colours when in full bloom. The viewer is invited to look closer and sometimes even take a step back, because in that instant – hidden aspects emerge – like a choreography, a fabulous dance.
‘A Declaration of Love, flowers in Dutch light’ is a series that symbolises life.
Flowers naturally bloom in all their strength, vulnerability and beauty – with elegance and grace – poetically captured in that single moment in time, never to be repeated again.
It is a serenade to life and love! [quoted from Stella Gommans website]
All images: Archival Pigment Prints on Hahnemuhle Fine Art Paper
Remembering You · Hanabi
“Hana” means “flower” and “bi” means “fire”, so “Hanabi” roughly translates to “fire flowers”. The Japanese call fireworks Hanabi. The name suggests not only a physical resemblance, but also an existential one. Fireworks bloom, but only for a moment, dazzling onlookers before fading into oblivion.
Hanabi (lit. flower fire or fire flower) were popularised and developed during the resplendent days of Edo and have come to hold cultural significance in Japan both in physical displays and metaphorically as a symbol of ephemeral beauty.