
Graciela Iturbide :: Mujer ángel, de la serie ‘Los que viven en la arena’, Desierto de Sonora, México, 1979, de la colección Colección Manuel Álvarez Bravo / source: fotografica.mx
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images that haunt us

Graciela Iturbide :: Mujer ángel, de la serie ‘Los que viven en la arena’, Desierto de Sonora, México, 1979, de la colección Colección Manuel Álvarez Bravo / source: fotografica.mx
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Joel Bernstein :: Joni Mitchell skating on Lake Mendota, near Madison, Wisconsin. March 1976. Included in the package for her compilation ‘Songs of a Prairie Girl’. / source: morrisonhotelgallery

Francis Bacon :: Enlarged contact sheet of two men wrestling, New York, from the studio of Francis Bacon, circa 1975.
From: ‘The Image as Question: An Exhibition of Evidential Photography’ at Michael Hoppen Gallery / src: theGuardian
“An enlarged contact sheet of two men wrestling in swimming trunks and caps, originally taken by Francis Bacon in New York in 1975, nestled for years in a bin bag in the attic of a Mr Robertson
from Surrey, who turned out to be the artist’s electrician. (Other bin
bags given to him for safekeeping included personal diaries, cashed
cheques, letters and holidays snaps.) The photographs highlighted in red
were used by Bacon as models for painting particular body parts in
motion. They echo another exhibit, a 17-frame series of a nude man
walking by Etienne Jules-Marey, whose motion studies preceded those of
the better-known Eadweard Muybridge.” (quoted from source)

Anthony Armstrong-Jones / Lord Snowdon :: David Frost, undated (probably the 1970′s) / src: adski-kafeteri
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Valie Export* :: Encirclement, from ‘Körperkonfigurationen’ (Body Configurations), 1972-76. In this series the artist positioned herself in several points of the city of Wien and mimed through her body the built environment immediately around. Her actions are the representation of her own states of mind, communicated by her postures and gestures. Through a performance that assumes the form of an apparently passive adaptation to the configuration of the city or the landscape, the artist reacts to the built environment in a completely different way than the one implied by the urban design.
/ source: socks studio
[*] aka Waltraud Lehner and Waltraud Höllinger
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Abe Frajndlich
:: Photographer Robert Frank,
Wellesley, Massachussetts, 1975 / src: pleasurephoto
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Michiko Kon :: Mackerel and Pillow, 1979. Silver print. / src:
Robert Mann
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