Tag: 1970s

Toni Catany’s still-lifes

Toni Catany :: El tassó ~ The Bowl, 1979. Calotip (collotype). | src MNAC ~ Museu Nacional d’Art de Catalunya
Toni Catany :: Natura morta ~ Still life, 1981. Gelatinobromur de plata sobre paper baritat. | src MNAC ~ Museu Nacional d’Art de Catalunya
Toni Catany (1942 – 2013) :: Homenatge a Sudek, 1986. | src MNAC ~ Museu Nacional d’Art de Catalunya
Toni Catany :: El mantó ~ The shawl, 1979 (tiratge 1995) Calotip (Collotype). | src MNAC ~ Museu Nacional d’Art de Catalunya

Drtikol exhibition, 1970s

Fotograf František Drtikol / Tvorba z let 1903 – 1935, Uměleckoprůmyslové Muzeum, Praha, Prosinec 1972 – Únor 1973
Photographer František Drtikol / Works from 1903 – 1935, Museum of Decorative Arts In Prague, December 1972 – February 1973
poster design: Unknown Artist, 1972 | src Josef Square
From: Exhibition catalogue: “Frantisek Drtikol Works between 1903 and 1930” at the UMPRUM Museum Prague December 1972 – February 1973. | src Abebooks

Érotoscope, 1970

Raymond Abigeo and Jean-Claude Peretz :: Érotoscope. The photos show three differently clothed as well as partly unclothed female models and are divided into up to four longitudinal sections, so that the different body parts can be freely combined. Paris, Marie Concorde, 1970. | src Jeschke · Van Vliet

Fieret’s studies of women

Gerard Fieret :: Nude torso [Naakt torso], The Hague, ca. 1965. | src Rijksmuseum
Gerard Fieret :: Sitting nude with headband and high heels, seen from behind. Two copyright stamps and a signature are part of the image. The photo is pasted in passe-partout [Naakt zittend met haarband en pumps, op de rug gezien. Twee copyright stempels en een groot signatuur maken deel uit van het beeld. De foto is in passe-partout geplakt.], 1960 – 1980. | src Rijksmuseum
Gerard Fieret :: Studies of Women [Studies van vrouwen], The Hague, ca. 1965. | src Rijksmuseum
Gerard Fieret was an eccentric poet, painter and photographer who lived in The Hague. Between 1965 and 1975 he took hundreds of photos, mainly studies of women. Later, Fieret wandered the streets, fed the pigeons each day and kept his work in the freezer. His prints are creased and the edges frayed, with the occasional trace of pigeon droppings. On each photo, he signed his name in felt-tip pen and also furnished them with copyright stamps.