
André de Dienes :: Nude Collage, original vintage photogravure, ca. 1950
/ src: liveauctioneers
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images that haunt us

André de Dienes :: Nude Collage, original vintage photogravure, ca. 1950
/ src: liveauctioneers
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No Pictures, ca. 1952 / Camera Shy, ca. 1953 / Intrusive Hand, ca. 1950. Vintage snapshots. / source: Life as Art, the American snapshot

André de Dienes :: Nude See-thru, 1958. Heibonsha publishers, Japan (printer) Sheet-fed Copperplate gravure. / src: Liveauctioneers
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Max Dupain ::
Morning Mist, Sydney Harbour Bridge, 1950′s / src: State Library of New South Wales
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Aaron Siskind :: ‘Pleasures and Terrors of Levitation’ n. 37, 1953. Gelatin silver print. / src: howard greenberg
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David Moore :: Before the Coronation, London, 1953 [Abandoned musical instruments in Birdcage Walk mark the impending route of the Queen from Buckingham Palace to Westminster Abbey.] / source:
State Library of New South Wales
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David Moore :: St Paul’s Cathedral from Bankside, London, ca. 1952 / source: State Library of New South Wales
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David Moore ::
Diving suits, Menorca, Spain, 1954 / source: State Library of New South Wales
‘[Moor]e was on assignment for the Royal Geographical Society’s Geographical Magazine to cover the life and landscape of this charming Mediterranean island. The diving suits were used by local fishermen working from boats that crowded the splendid deep-water harbour. Moore photographed the drying suits because they looked ridiculous, reminding him of two boys practising handstands or marine creatures.’ (quoted from source)
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David Moore ::
Man in telephone booth, Lucerne, Switzerland, 1952 / source: State Library of New South Wales
‘This austere high-key image, with its hint of humanity, reflects Moore’s preoccupation with design. He was always concerned that others should appreciate monochromatic images.’ (quoted from source).
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