
Paolo Bocci, Sul molo, 1954
images that haunt us

Press photo for Red-Light Bases (赤線基地), 1953, directed by Senkichi Taniguchi (谷口千吉) and starring Kyoko Aoyama (青山京子) and Akemi Nigishi (根岸明美)
Top: Clarence Sinclair Bull :: Alfred Hitchcock directs the MGM Lion, 1958
Below (1 and 2): Filming & recording the MGM screen credits, 1928-1929, uncredited photographer

Tosh Matsumoto :: Untitled, ca. 1950

Bert Hardy :: Two Prostitutes talking to a Client on a Street Corner, Barcelona, 1951 / via the night picture collector
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“In 1955, the U.S. CAMERA ANNUAL carried a representative presentation of the edition: Ten photographs on eight pages, commented as follows: THE EYE OF LOVE is a tender photo-essay on a photographer’s love for a woman, his wife, (…) published in book form. U.S. CAMERA is happy to be able to present excerpts from this warm and beautiful story by a young Swiss photographer.” (quoted from source)