
Emilio Sommariva :: Male Nude, 1941-1942 / src lombardia beni culturali
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images that haunt us

Emilio Sommariva :: Male Nude, 1941-1942 / src lombardia beni culturali
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Emilio Sommariva :: Female Nude, 1941-1942 | src lombardia beni culturali | via
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Greta Garbo on the set of Two-Faced Woman, directed by George Cukor, 1941. Uncertain photographer, probably William Grimes,
still photographer (uncredited).
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/ related post here

Senior girls from “Leonians” pose on the lawn for photographers, doing a Swedish Drill. Australia, 1940’s / src: physical culture

Franz Fiedler :: Akt / Nude (with mask), 1940’s / src: Moravská Galerie
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Lotte Jacobi :: Bird in Flight – Homage to Brancusi
, 1946-1955 (printed 1981). One of Jacobi’s “photogenics” as she named her photograms./ src Akron Art Museum
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Though best known for her portraits of famous people, Jacobi also experimented with abstraction in her “photogenics.” She described making these photograms (photographs made without a camera) as drawing on photo-sensitized paper by moving the light source. While photography is most often used to document the external world, Jacobi’s abstractions are a vehicle for imagination.


