
Edmund Kesting ::
Marianne Vogelgesang, circa 1935.
Gelatin silver print.
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images that haunt us

Edmund Kesting ::
Marianne Vogelgesang, circa 1935.
Gelatin silver print.
more [+] by this photographer

Edmund Kesting :: Couple Nude, 1935.
Vintage Sheet-Fed Photogravure printed by La Neogravure. | src LiveAutioneers
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Shirley Temple imitating Marlene Dietrich’s ‘Hot Voodoo’ number from Blonde Venus (1932), probably ca. 1935.

A man holding a rubber crocodile made by
Clifford Martin Ltd for the British Industries Fair, 1935. © Fox Photos |
Hulton Archive | src Getty Images
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A police officer directing traffic in London’s fog with the help of an “apparatus connected with the gas main, November 1935. Caption for the photo explains that the “device can be folded up and put in a metal box sunk
in the street.” | src New York Times

Constance Bennett, 1935, photo by George Hurrell
“One of a trio of sisters who first brightened movie screens during the tail end of the silent era, Constance Bennett was considered to be the most beautiful of the Bennett siblings. The eldest of the girls, Constance was followed by Barbara, who had the shortest career, and Joan, who was the most successful, but she was the first to really make her mark in Hollywood… While not among the most gifted actresses of her generation, Bennett was an able comedienne and more than competent when it came to the sort of dramatic plotlines she was assigned. Additionally, she was simply stunning to look at with her trademark slim figure and eye-catching blonde pageboy… Although sibling Joan ultimately had the longer and brighter career, Constance Bennett made the most of her time in the upper echelon of Hollywood and still impressed viewers decades later with her seemingly effortless beauty and sophistication.“ – John Charles, TCM

Manuel Komroff (1890-1974) :: Nu assis | Sitting nude, around 1935 | src Artcurial