
Marlene Dietrich reading in Rouben Mamoulian’s pre-code romantic drama The Song of Songs (Paramount Pictures, 1933).
Cinematography by Victor Milner.
/ src IMDb
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images that haunt us

Marlene Dietrich reading in Rouben Mamoulian’s pre-code romantic drama The Song of Songs (Paramount Pictures, 1933).
Cinematography by Victor Milner.
/ src IMDb
more [+] Marlene Dietrich posts

Marlene Dietrich in Rouben Mamoulian’s pre-code romantic drama The Song of Songs (Paramount Pictures, 1933).
Cinematography by Victor Milner.
/ src IMDb
more [+] Marlene Dietrich posts

Man Ray :: Meret Oppenheim’s arm in Marcoussis’s studio, 1933. From a suite of photographs entitled Érotique-voilée (Veiled Eroticism), Man Ray’s photograph shows his then assistant, fellow-Surrealist Meret Oppenheim, in the print studio of Louis Marcoussis. Oppenheim’s left forearm is stretched out and smeared with the black ink of an etching press, behind a large copper printing-press wheel.
/ source: National Gallery of Australia
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Emilio Sommariva :: Ritratto femminile. Lina Corsino,
Milan, Italy, 3 January 1933
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Marlene Dietrich in Rouben Mamoulian’s pre-code romantic drama The Song of Songs (Paramount Pictures, 1933). / src
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Ernst Schwitters ::
Kurt Schwitters painting near Djupvassjytta, Norway, 1933 / via
lasmicrofisuras

Yoshiko Tsubouchi in “Shima no Musume” (The Island Girl) directed by Nomura Hotei, Shōchiku prod., 1933 (src: early Japanese cinema)