Sirenas del Aire, ca. 1935–36

Lola Álvarez-Bravo :: Sirenas del Aire, ca. 1935–36, printed ca. 1958. Álvarez-Bravo offers a pairing of the modern and the classical world using the surrealist approach of juxtaposing improbable objects. Two mermaids, their backs to the viewer, float on an empty picture. These mermaids (or sirens) have chosen a more modern vehicle to send their messages, a typewriter. | src Surrealism and Women Artists

Group with instruments

Charlotte Rudolph (Dresden) :: Gruppe mit Instrumenten, 1920s. From: Das Mary Wigman-Werk. Mit Beiträgen von Mary Wigman und 80 Abbildungen. Rudolf Bach. Published by Carl Reissner Verlag, Dresden, 1933. | src Abebooks
Charlotte Rudolph (Dresden) :: Gruppe mit Instrumenten, 1920s. From: Das Mary Wigman-Werk. Mit Beiträgen von Mary Wigman und 80 Abbildungen. Rudolf Bach. Published by Carl Reissner Verlag, Dresden, 1933. | src Abebooks

Mary-Wigman-Schule, Dresden, um 1927. From: Rose-Marie Bachofen Fotoalbum Jugend © Münchner Stadtbibliothek, 2020 | src Monacensia in Hildebrandhaus
Mary-Wigman-Schule, Dresden, um 1927. From: Rose-Marie Bachofen Fotoalbum Jugend © Münchner Stadtbibliothek, 2020 | src Monacensia in Hildebrandhaus
Mary-Wigman-Schule, Dresden, um 1927. From: Rose-Marie Bachofen Fotoalbum Jugend © Münchner Stadtbibliothek, 2020 | src Monacensia in Hildebrandhaus
Mary-Wigman-Schule, Dresden, um 1927 From: Rose-Marie Bachofen Fotoalbum Jugend © Münchner Stadtbibliothek, 2020 | src Monacensia in Hildebrandhaus