
Constantin Brancusi ::
Self portrait hidden with one hand, October 1933 / src: RMN
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images that haunt us

Paul Strand :: Rebecca, Taos, New Mexico, 1932.
Paul Strand began his extended study of Rebecca Salsbury in 1920, the year they met, and continued until 1932. / via

I’ve always been curious about the above photo when it appears online or in books: it’s clearly an entirely different outfit to the black sequinned one Dietrich wears onscreen in “Hot Voodoo.” Is this shot a “wardrobe test” of a potential costume that got rejected? In his book, Bach provides a clue: production of Blonde Venus was a long rancorous ordeal with Sternberg (and Dietrich) feuding with studio heads. (At one point Paramount threatened to sack Sternberg and replace him with another director). There were so many script re-shuffles that “major sequences (including the “Hot Voodoo” number) were completely recostumed and reshot.” So, the famous version of “Hot Voodoo” we’re all familiar with is actually the second reshot version. This pic above was presumably what Dietrich wore in the original scrapped number that was resigned to the cutting room floor. / source: graham-russell
more [+] Marlene Dietrich posts /
more [+] Blonde Venus posts

José Suárez (Allariz, 1902 – A Guarda, 1974) :: from the exhibition ‘Mariñeiros’, 1930’s / via
lasmicrofisuras

Atelier Manassé :: unknown title, Vienna, 1935 / src: deriva eletrônica
Olga Spolarics and Adorja’n von Wlassics, founders and owners of the atelier from 1922 to 1938 /
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