
Edward W. Quigley :: From the book Sam by Edward Quigley (photographs) and John Crawford (text), 1937 / src: livejournal
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images that haunt us

Edward W. Quigley :: From the book Sam by Edward Quigley (photographs) and John Crawford (text), 1937 / src: livejournal
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Edward W. Quigley :: From the book Sam by Edward Quigley (photographs) and John Crawford (text), 1937 / src: LiveJournal
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Budapest, March 31st,
1931. Unknown photographer.

Edward W. Quigley :: From the book Sam by Edward Quigley (photographs) and John Crawford (text), 1937 / src: livejournal
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Leslie Gill :: Studio Window, West 56th Street, NYC, ca. 1938 / src: The Guardian. In the early years, the presence of windows in photographs was driven by necessity: photography in its infancy required great amounts of light, and windows obliged. This history may have mattered little to Leslie Gill when he created this tightly framed masterpiece, which looks almost as if someone has opened up a panel in one of Piet Mondrian’s canvases to discover the real world hidden behind it. Courtesy Robert Mann Gallery.

Teikō Shiotani :: Seashore of Akasaki Minatomachi, Kotoura, Japan, 1931 / source: Tottori Prefectural Museum
The horizon in this picture describes an arc just as if describing the globe itself. Incorporating the technique of deformation, the work was made by burning a negative image onto warped printing paper. The photograph was taken at the coast of Akasaki near photographer Shiotani’s home in Kotoura, Tottori. [quoted from source]

Elli Souyioultzoglou-Seraidari [Nelly’s] :: Fair (market) in Ipati, Greece, circa 1930 / source: Benaki Museum
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Elli Sougioultzoglou-Seraïdari [Nelly’s] :: Girl from Ipati. Ipati, Greece, circa 1930 / source: Greek Reporter