Tag: 1930s

Dorothea Lange :: “Member of Ola self help sawmill co-op lives in what was once the ‘Jackknife Saloon.’ This type building is characteristic of early Idaho. The stagecoach used to stop here to change horses and for the refreshment of travellers. This was discontinued in 1914.”

Gem County, Idaho, October 1939.  Medium format nitrate negative .Farm Security Administration. / src: Shorpy

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L’Amour ~ Love, 1935

William H. Mortensen :: L’Amour | Love, 1935. Manipulated photograph. An image from American Grotesque: the Life and Art of William Mortensen, published by Feral House. “Mortensen’s methods often made it hard to distinguish whether the results were photographs or not. He used traditional printmaking techniques, such as bromoiling, and developed many of his own. He would create composite images, scratch, scrape and draw on his prints, then apply a texture that made them look like etchings, thereby disguising his manipulations. Consequently, every print was unique.” quoted from source The Guardian
William H. Mortensen :: L’Amour | Love, 1935. Manipulated photograph. | src cargo collective | more [+] by this photographer

Cat masks by Leonor Fini

Brassaï (1899-1984) ~ Ballet de Paris, 1949. Ferrotyped gelatin silver print | src Christie’s
Brassaï (1899-1984) ~ Ballet de Paris, 1949. Ferrotyped gelatin silver print | src Christie’s
Brassaï (Gyula Halász) (1899-1984) ~ Untitled [woman with cat mask by Leonor Fini], Paris, 1930s | src stephen ellcock
Brassaï (1899-1984) ~ Ballet de Paris, 1949. Brassaï (1899-1984) ~ Ballet de Paris, 1949. Ferrotyped gelatin silver prints | src Christie’s

Les Demoiselles de la Nuit

Ballet in one act with choreography by Roland Petit, libretto by Jean Anouilh, music by Jean Françaix, and scenery & costume design (including the ballet’s fantastic cat masks) by Leonor Fini. It premiered on 22 May 1948 by Ballets de Paris at the Théâtre Marigny (Paris), with Fonteyn, Petit, and Hamilton. It tells the story of a musician who falls in love with his beautiful cat Agathe, who has assumed semi-human form. Agathe tries to be faithful to her human lover but is lured away by the sound of tomcats and the call of freedom. She leaps off the rooftops and the musician falls to his death as he tries to grab hold of her. She falls after him and they are united in death. | src The Oxford Dictionary of Dance

Brassaï (1899-1984) ~ Dancer wearing a cat costume designed by Leonor Fini for Les Demoiselles de la Nuit, 1948 | src ODLP ~ l’œil de la photographie