
Sid Grossman :: Chelsea, New York, 1938. | via howtoseewithoutacamera | src MoMA
images that haunt us

Sid Grossman :: Chelsea, New York, 1938. | via howtoseewithoutacamera | src MoMA



Theodore Miller :: Lee Miller and Tanja Ramm: breakfast in bed at Lee’s Paris studio, 1931. The wall hanging’s a Jean Cocteau design. | src

A police officer directing traffic in London’s fog with the help of an “apparatus connected with the gas main, November 1935. Caption for the photo explains that the “device can be folded up and put in a metal box sunk
in the street.” | src New York Times




American actress Winifred Elaine “Wynne” Gibson in feathered dress, 1930s | src and hi-res Dr Macro

Constance Bennett, 1935, photo by George Hurrell
“One of a trio of sisters who first brightened movie screens during the tail end of the silent era, Constance Bennett was considered to be the most beautiful of the Bennett siblings. The eldest of the girls, Constance was followed by Barbara, who had the shortest career, and Joan, who was the most successful, but she was the first to really make her mark in Hollywood… While not among the most gifted actresses of her generation, Bennett was an able comedienne and more than competent when it came to the sort of dramatic plotlines she was assigned. Additionally, she was simply stunning to look at with her trademark slim figure and eye-catching blonde pageboy… Although sibling Joan ultimately had the longer and brighter career, Constance Bennett made the most of her time in the upper echelon of Hollywood and still impressed viewers decades later with her seemingly effortless beauty and sophistication.“ – John Charles, TCM