Edward J. Steichen :: Actress Elisabeth Bergner in a dark wool knit cardigan, white shirt and black pants, seated in profile on the floor, holding her knees to her chest, in the play Escape Me Never. Vanity Fair, 1935. | src and hi-res Getty Images
«Die schonen Damen im Film». Sie und ihr Kleid sind indes Provenienz. Man Merkt den “filmisch” sehenden Künstler, der sein Modell in interessanter Einstellung photographiert, so dass das Bild auf den ersten Blick wie die Aufnahme eines “Stars” wirkt. Photo Dietrich & Co., Die Bühne, Heft 451, S. 30-31, 1937. | src ÖNB
Edward Steichen :: Actress Carol Stone with dark hair combed in an upsweep style, wearing a white satin ruffled costume, reclining on a sofa, with one hand behind her head. Vanity Fair, 1934. | src and hi-res Getty Images
Dora Maar :: Meret Oppenheim, 1936. Courtesy Levy Galerie, Hamburg. | src Le seduzioni della fotografia (The seduction of photography) at l’œil de la photographie
Atelier d’Ora ~ Benda :: Mrs. Karton wearing a turban, necklace, and wide bracelet of platinum gold threads designed by Suzanne Farnier, Paris, 1933. Published in ‘Die Dame’ 32/1933. | src and hi-res Getty Images
Atelier Manassé (Olga Spolarics – Adorja’n von Wlassics) :: Studie (nº 19302C). Photographie von Manasse. Um 1934. | Study (nº 19302C), ca. 1934. | src and hi-res Getty Images
Madame d’Ora (Dora Kallmus) :: Agnès Rittener. Portrait de la modiste coiffée d’un chapeau en paille de soie, Mai 1931. | Agnès Rittener. Portrait of the milliner wearing a silk straw hat, May 1931. | src Diktats
Dora Kallmus :: Madame Agnès (Agnès Rittener) with a hat made of velvet with transparent brim, ca. 1936. | src Photoinstitut Bonartes, Vienna via Neue Galerie New York (Major Retrospective on Madame d’Ora, Febr. 2020)