
Edward Steichen :: Gloria Swanson (veiled face), ca. 1925
/ related post, here
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images that haunt us

François Bertin :: Untitled, 1925. Gelatin silver print. From “Erotic Photography” by Alexandre Dupuy (p.147), 2011 / source:
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Teikō Shiotani :: Birds-eye view of the village, Shimane Peninsula, Japan, 1925 / src: Shimane Art Museum
Shiotani Teiko was a photographer who was representative of the era from the end of the Taishô period to the Shôwa period, in which pictorialism photography prospered. […]
It is an avant-garde expression that incorporates the cubism manner,
with the roofs of houses standing on steep slopes pointing in various
directions. [quoted from source]


Edward Steichen :: Tamaris with a large Art Deco scarf, 1925. Gelatin silver photograph. | src l’oeil de la photographie
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Claude Harris :: Bronislava Nijinska in Holy Etudes, with two unidentifed dancers, 1925. Nijinska’s Théâtre Chorégraphique.

Dancer Ninette de Valois in a 1925 revival of Fokine’s Les Papillons [The Butterflies] (1913). The annotation reads: ‘Ninette de Valois with Diaghilev’ [ie the Ballets Russes]. Photographer unknown./ src: Royal Ballet

Claude Harris :: Eugene Lapitsky & Bronislava Nijinska as The Bandits in On the Road, 1925. Nijinska’s Théâtre Chorégraphique.

Dancer Alicia Markova as the Nightingale in Balanchine’s Le Chant du Rossignol [Song of the Nightingale], 1925, with music by Stravinsky and designs by Matisse. From a
programme for the Diaghilev Ballets Russes, 1925. Originally
choreographed by Massine in 1920, the ballet was revised as a vehicle
for the very young Alicia Markova. Photographer unknown. / src: Royal Ballet