
Edward Steichen ::
Gertrude Lawrence, 1928 / source
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images that haunt us

Albert Witzel :: Carole Lombard, ca 1925 / via thecarolelomabardarchive
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Marlene Dietrich signing autographs for her fans. A photograph of her daughter, Maria Sieber as a toddler, is on her desk, 1927
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Arnold Genthe :: Eugenia Leezbinski, who was an obscure dancer of the Jazz Age, 1928. The photo survives because it was one of many made by famed German photographer A. Genthe. / via mudwerks

Taisho Art (Old Japanese Photography) :: Trolley in the Morning Fog, 1912 -1926 / via furtho (via twitter)

Vintage snapshot of four young women sitting on car bumper 1920’s / src: Etsy

Edward Steichen :: Wind Fire – Thérèse Duncan, adopted daughter of Isadora Duncan, on the Acropolis, 1921 / src: Stephen Ellcock
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Note:
“While on holiday in Venice in 1921, Steichen encountered his friend,
the dancer Isadora Duncan, who persuaded him to accompany her and her
dance troupe to Greece. Hoping to make motion pictures of the dancers at
the Acropolis, Steichen was disappointed when Isadora felt uninspired
and unenthusiastic about participating in such a collaboration, and
posed only for a few still photographs. However, Isadora’s adopted
daughter, Thérèse, also agreed to pose for his camera, and, in his
autobiography, Steichen described their session which produced more
interesting results: “She was a living reincarnation of a Greek nymph.
Once, while photographing the Parthenon, I lost sight of her, but I
could hear her. When I asked where she was, she raised her arms in
answer. I swung the camera around and photographed her arms against the
background of the Erechtheum. And then we went out to a part of the
Acropolis behind the Parthenon, and she posed on a rock, against the sky
with her Greek garments. The wind pressed the garments tight to her
body, and the ends were left flapping and fluttering. They actually
crackled. This gave the effect of fire – ‘Wind Fire…’”(A Life in Photography, chap. 6).

Alfred Eisenstaedt :: Marlene Dietrich wearing tuxedo, top hat and holding a cigarette at a ball for the foreign press in 1929. Evoking her role as Mademoiselle Amy Jolly, a cabaret singer, in ‘Morocco’, directed by
Josef von Sternberg, 1930 / via The LIFE Picture Collection/Getty Images
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Maria Renée Falconetti in ‘La passion de Jeanne d’Arc’ directed by Carl Theodor Dreyer, 1928
link to movie: http://www.imdb.com/title/tt0019254/?ref_=nv_sr_1