Brandung, 1929

Harry Richardson Cremer :: Brandung. (Salon International d’Art Photographique) Published in Revue des Monats, June, 1929. | src Deutsche Nationalbibliothek Leipzig

Nina Vassilyeva, 1923

Alexander Grinberg :: Nina Vassilyeva from Vera Maya’s Studio, 1923. Bromoil with transfer. Private collection. | src Russian photographic Avant-Garde of the 1920s and 1930s

100 photogravures, 1923

Lucien Waléry [aka, Laryew, Yrélaw (1863-1935)] :: Portfolio de 100 photogravures publié en 1923 par la Librairie des Arts Décoratifs. | src wikibooks and livejournal

from 100 Nus, 1923-1925 (pl. III)

Laryew (genannt Waléry) :: 100 Nus (Plate III). Cent photographies originales de Laryew. 100 Heliogravüres von Walery. Lose Kartonblatt in roter OLeinenmappe mit goldgepr. Deckeltitel und Schließband. Paris, A. Calavas, o. J. (um 1925). | src Bassenge auktionen
Lucien Waléry [aka, Laryew, Yrélaw (1863-1935)] :: Portfolio de 100 photogravures publié en 1923 par la Librairie des Arts Décoratifs. | src livejournal and wikibooks

From 100 photogravures, 1923

Lucien Waléry [aka, Laryew, Yrélaw (1863-1935)] :: Portfolio de 100 photogravures publié en 1923 par la Librairie des Arts Décoratifs. | src wikibooks and livejournal

Portrait of an Actress, 1923

Alexander Grinberg :: Portrait of an Actress, 1920. Gelatin silver print. M. Golosovsky Coll. | src Russian photographic Avant-garde
Alexander Grinberg :: Portrait of an Actress, 1923. Bromoil with transfer. Private collection. | src Russian photographic Avant-Garde of the 1920s and 1930s

Andrée Spinelly, 1924-1927

Andrée Spinelly, Paris, 1927 | src The Guardian: Fops and flappers: wild fashions of the 1920s
Madame d'Ora :: Andrée Spinelly, published in ‘Revue des Monats’, March 1927
Madame d’Ora :: Andrée Spinelly, published in ‘Revue des Monats’, March 1927
Andrée Spinelly, Paris, 1927. These bejewelled creations hit new heights of eroticism and sophistication in the outfits worn by dancers at Parisian nightclubs like the Moulin Rouge. src The Guardian: Fops and flappers: wild fashions of the 1920s
Andrée Spinelly, Paris, 1927. These bejewelled creations hit new heights of eroticism and sophistication in the outfits worn by dancers at Parisian nightclubs like the Moulin Rouge | src The Guardian: Fops and flappers: wild fashions of the 1920s
Photo G. L. Manuel frères. Mlle. Spinelly. The beautiful fantaisiste, who is also a high-class actress, has just successfully taken over L’Ecole des Cocottes at the Paris theater. Original: La belle fantaisiste, qui est aussi une comédienne de grande classe, vient de reprendre avec succès L’Ecole des Cocottes au théâtre de Paris. Le Théâtre et Comœdia illustré, Octobre 1924. | src BnF ~ Gallica
Photo G. L. Manuel frères. Mlle. Spinelly. The beautiful fantaisiste, who is also a high-class actress, has just successfully taken over L’Ecole des Cocottes at the Paris theater. Original: La belle fantaisiste, qui est aussi une comédienne de grande classe, vient de reprendre avec succès L’Ecole des Cocottes au théâtre de Paris. Le Théâtre et Comœdia illustré, Octobre 1924 | src BnF ~ Gallica
French actress Andrée Spinelly (1887-1966) known as Spinelly. Vintage French postcard. A.N. [Alfred Noyer], Paris, nº 49, 1920s. Photo by Studio G.L. Manuel Frères | src Flickr