Untitled portraits, ca. 1929

female portrait profile, pictorial portrait, Gesicht
Martin Imboden :: Ohne Titel, vor 1929. Silbergelatineabzug. | src Sammlung Fotostiftung Schweiz
Martin Imboden :: Ohne Titel [Porträt, Mädchen], vor 1929. Silbergelatineabzug. | src Sammlung Fotostiftung Schweiz
Martin Imboden :: Ohne Titel (Porträt), um 1929. | src Sammlung Fotostiftung Schweiz
Martin Imboden :: Ohne Titel (Porträt), um 1929. | src Sammlung Fotostiftung Schweiz

Itta Penzo · Bridge on demi-point

N. Vlas'evsky :: Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Het Nieuwe Instituut: Space Embodied. The Russian Art of Movement 1920-1930
N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926 © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926 | src Nicoletta Misler : The Russian Art of Movement 1920-1930
N. Vlas'evsky :: Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Het Nieuwe Instituut: Space Embodied. The Russian Art of Movement 1920-1930
N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926 © Collection Otton Engel’s repository, Moscow | src Space Embodied. The Russian Art of Movement 1920-1930 at Het Nieuwe Instituut

Itta Penzo in the role of Taiakh

N. Vlas’evsky :: Itta Penzo in the role of Taiakh in the ballet Joseph the Beautiful, 1926. Artist’s photographic print, signed: “Vlas’evsky”. Music by S. Vasilenko, designs by B. Erdman and choreography by K. Goleizovsky for the Odessa Theatre of Opera and Ballet, Catalogue of the second “Art of Movement” exhibition, 1926. | src Nicoletta Misler's “The Russian Art of Movement 1920-1930”
N. Vlas’evsky ~ Itta Penzo in the role of Taiakh in the ballet Joseph the Beautiful, 1926. Artist’s photographic print, signed: “Vlas’evsky”. Music by S. Vasilenko, designs by B. Erdman and choreography by K. Goleizovsky for the Odessa Theatre of Opera and Ballet, Catalogue of the second “Art of Movement” exhibition, 1926 | src Nicoletta Misler’s “The Russian Art of Movement 1920-1930”
N. Vlas'evsky :: Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Het Nieuwe Instituut: Space Embodied. The Russian Art of Movement 1920-1930
N. Vlas’evsky ~ Itta Penzo. Bridge on demi-point, 1926. © Collection Otton Engel’s repository, Moscow. Original photographic print, signed: “Vlas’evsky”. Catalogue of the second “Art of Movement” exhibition, 1926. | src Space Embodied. The Russian Art of Movement 1920-1930 at Het Nieuwe Instituut