Hedy Nils (Hedy Pfundmayr) und Toni Birkmeyer tanzen am 22.09.1920 – Konzerthaussaal Wien. Entwurf Ernst Dryden (Deutsch-Dryden), Österreich 1920. | src Plakate 1880-2000
Otton Engel’s :: Pierrot, 1925. Crayons on paper. Signed and dated: “Engel’s 1925”. Catalogue of the first “Art of Movement” exhibition, 1925, Nos. 208-09. OE (Otton Engel’s repository, Moscow. Formerly in the collection of Irina Malakhova.) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
N. Vysheslavtsev :: Nude from behind, 1923. Ink on paper. Signed and dated: “To dear Aleksei Sidorov, N. N. Vysheslavtsev, 1923”. GTG: Gosudarstvennaia Tret’iakovskaia galereia, State Tretiakov Gallery (formerly in the collection of Aleksei Sidorov). | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Otton Engel’s :: A. Rumnev in one of L. Lukin’s choreographies, 1923. Pencil on paper. Inscribed and dated: “Chamber Theatre, Thursday, 7.30, 12/VI/1923”. Catalogue of the first “Art of Movement” exhibition, 1925, Nº 197. OE (Otton Engel’s repository, Moscow. Formerly in the collection of Irina Malakhova.) | src Nicoletta Misler’s The Russian Art of Movement 1920-1930
Hess Studio, Frankfurt :: A. Rumnev. Plastic study, 1923. Original print. Signed and dated on mount: “Hess, Frankfurt 1923”. Choreography by L. Lukin. Tournée of the Moscow Chamber Theatre, 1923. The reverse of an analogous print in the Lukin archive at GTsTMB carries the inscription: “To dear Lev Lukin with faith in his inimitable talent, 1923, A. Rumnev”. RGALI [Rossiiskii gosudarstvennyi arkhiv literatury i iskusstva (Russian State Archive of Literature and Art, Moscow)] source Nicoletta Misler’s The Russian Art of Movement 1920-1930
Ilse Lorm and Josef Peterhans in Irrlichter der Tiefe (aka Desolation of the Deep, Austria, Fritz Freisler, 1923). From the Taussig film stills collection at NFSA