Rosenelli Lunatcharski, ca. 1928

Rolf Mahrenholz :: Rosenelli Lunacharsky, wife of Anatoly Vasilyevich Lunacharsky, Soviet People’s Commissar, wearing an evening dress, ca. 1928. Published in ‘Der Querschnitt‘ 06/1928 | src Getty Images
Ralf (sic) Mahrenholz :: Rosenelli Lunatcharski (sic) wearing an evening dress, circa 1928. | src Lumas
Die eleganteste Frau im heutigen Rußland: Frau Lunatscharskaja, die Gattin des russischen Volkskommissars
[Frauen, von deren Männern man spricht] in UHU Magazin Band 4 Heftnummer 6, März 1928

The most elegant woman in Russia today: Mrs. Lunacharskaya, the wife of the Russian People’s Commissar [From : Women whose husbands are spoken of] in Uhu Magazine, March 1928

Wearing a Fortuny Dress, ca. 1920

Arnold Genthe :: [Woman Wearing a Fortuny Dress], about 1920. Gelatin silver print. The J. Paul Getty Museum | src Flickr

Berber fashion shot, 1921

Atelier Madame d’Ora :: Anita Berber mit Hose, in einem rückenfreien Obertei, mit Kopfschmuck, 1921. Schwarz-Weiß-Glasplatte-Negativ. | Anita Berber with pants, in a backless top, with headdress, 1921. Black and white glass plate negative. | src ÖNB

Anita Berber in tight dress, 1922

Madame d’Ora :: Die Tänzerin Anita Berber in einem engen Kleid, 1922. Schwarz-Weiß-Glasplatte-Negativ. | Dancer Anita Berber in a tight dress, 1922. Black and white glass plate negative. | src ÖNB

Anita Berber fashion shot, 1920

Atelier Madame d’Ora :: Bildnis der Anita Berber. Anita Berber in einem Tonnenrock und einem ärmellosen Oberteil, mit Kopftuch, 1920. Schwarz-Weiß-Glasplatte-Negativ.| Portrait of Anita Berber. Anita Berber in a barrel skirt and a sleeveless top, with a headscarf, 1920. Black and white glass plate negative. | src ÖNB

Andrée Spinelly, 1924-1927

Andrée Spinelly, Paris, 1927 | src The Guardian: Fops and flappers: wild fashions of the 1920s
Madame d'Ora :: Andrée Spinelly, published in ‘Revue des Monats’, March 1927
Madame d’Ora :: Andrée Spinelly, published in ‘Revue des Monats’, March 1927
Andrée Spinelly, Paris, 1927. These bejewelled creations hit new heights of eroticism and sophistication in the outfits worn by dancers at Parisian nightclubs like the Moulin Rouge. src The Guardian: Fops and flappers: wild fashions of the 1920s
Andrée Spinelly, Paris, 1927. These bejewelled creations hit new heights of eroticism and sophistication in the outfits worn by dancers at Parisian nightclubs like the Moulin Rouge | src The Guardian: Fops and flappers: wild fashions of the 1920s
Photo G. L. Manuel frères. Mlle. Spinelly. The beautiful fantaisiste, who is also a high-class actress, has just successfully taken over L’Ecole des Cocottes at the Paris theater. Original: La belle fantaisiste, qui est aussi une comédienne de grande classe, vient de reprendre avec succès L’Ecole des Cocottes au théâtre de Paris. Le Théâtre et Comœdia illustré, Octobre 1924. | src BnF ~ Gallica
Photo G. L. Manuel frères. Mlle. Spinelly. The beautiful fantaisiste, who is also a high-class actress, has just successfully taken over L’Ecole des Cocottes at the Paris theater. Original: La belle fantaisiste, qui est aussi une comédienne de grande classe, vient de reprendre avec succès L’Ecole des Cocottes au théâtre de Paris. Le Théâtre et Comœdia illustré, Octobre 1924 | src BnF ~ Gallica
French actress Andrée Spinelly (1887-1966) known as Spinelly. Vintage French postcard. A.N. [Alfred Noyer], Paris, nº 49, 1920s. Photo by Studio G.L. Manuel Frères | src Flickr