Christina O’Gorman, 1912-1913

Mervyn O’Gorman :: Portrait of Christina wearing a red cloak, 1913. Lumière Autochrome. | src The Dawn of Colour: Science and Media Museum
Mervyn O’Gorman :: Christina on the Beach, July 13th, 1913. An evocative portrait taken on the beach at Lulworth Cove. Christina’s choice of swimming costume was a fortuitous one since red was a colour which the autochrome process captured particularly well. | src Science and Media Museum Blog
A red beach dress. Dreamlike snaps of a young woman in red posing at Lulworth Cove, Dorset, in 1913 have now been revealed as some of the earliest surviving colour photographs. Autochrome. | src CNN
Mervyn O’Gorman :: Christina on the Beach, 1913. The comparatively long exposure time has given the sea a glassy quality and the large aperture setting and narrow depth of field has put Durdle Door, in the background, into soft focus. | src Science and Media Museum Blog
Mervyn O’Gorman :: Christina in a red beach dress at Lulworth Cove, Dorset, in 1913. Autochrome. | src CNN via Flickr
Mervyn O’Gorman :: Christina in a garden surrounded by foliage and flowers, April 17th, 1912. The location for this photograph is not known but may possibly be the gardens of Rempstone Hall near Corfe Castle in Dorset. Lumière Autochrome. | src Flickr
Mervyn O’Gorman :: A portrait of Christina, gazing thoughtfully into an ornamental pond. The location for this photograph is not known but may possibly be the gardens of Rempstone Hall near Corfe Castle in Dorset. Lumière Autochrome. | src Flickr
Mervyn O’Gorman :: Christina O’Gorman with Chinese Wisteria, ca. 1912. Autochrome. (detail of the photograph below) | src CNN
Mervyn O’Gorman :: Christina O’Gorman (standing) in the garden leaning on wall with what seems to be a Chinese Wisteria, ca. 1912. Lumière Autochrome. | src Flickr
Mervyn O’Gorman :: Christina O’Gorman in the garden leaning on wall with what seems to be a Wisteria sinensis, ca. 1912. Lumière Autochrome. | src Flickr

Portrait of Wiles, ca. 1910

Half length portrait of Wiles, ca. 1910. Identification on verso (handwritten): Gladys Wiles. | src Richard Field Maynard papers, 1895-1979. Archives of American Art, Smithsonian Institution

Anitra’s dance (Peer Gynt), 1916

Maggie Gripenberg esittää Anitran tanssia Kansallisteatterin ‘Peer Gynt’ -näytelmässä 1916. | Maggie Gripenberg performs Anitra’s dance in the National Theater’s play ‘Peer Gynt’. | src FHA ~ Museovirasto
Maggie Gripenberg esittää Anitran tanssia Kansallisteatterin ‘Peer Gynt’ -näytelmässä 1916. | Maggie Gripenberg performs Anitra’s dance in the National Theater’s play ‘Peer Gynt’. | src FHA ~ Museovirasto

Anders de Wahl, 1919

Henry B. Goodwin :: Anders de Wahl, actor, stage portrait as Perseus, 1919. NMGrh 5240. | src Nationalmuseum, Sweden

Portraits of Edith von Bonsdorff

Edith von Bornsdorff pitkältä ulkomaankiertueelta palannena | coming back from a long tour abroad
Tanssitaiteilija (dance artist) Edith von Bonsdoerff, Helsinki, Suomi (Finland), 1920-luku. | src FHA ~ Museovirasto
“Edith von Bornsdorff pitkältä ulkomaankiertueelta palannena” | coming back from a long tour abroad (written on recto)
Tanssitaiteilija (dance artist) Edith von Bonsdoerff, Helsinki, Suomi (Finland), 1920-luku. | src FHA ~ Museovirasto
Tanssija ja koreografi Edith von Bonsdorff 1910-luvun loppu. | Dancer and choreographer Edith von Bonsdorff,  late 1910s. | src FHA - Museovirasto
portrait
Tanssija ja koreografi Edith von Bonsdorff 1910-luvun loppu. | Dancer and choreographer Edith von Bonsdorff, late 1910s. | src FHA – Museovirasto
Tanssija ja koreografi Edith von Bonsdorff 1910-luvun loppu. | Dancer and choreographer Edith von Bonsdorff,  late 1910s. | src FHA - Museovirasto
portrait
Tanssija ja koreografi Edith von Bonsdorff 1910-luvun loppu. | Dancer and choreographer Edith von Bonsdorff, late 1910s. | src FHA – Museovirasto
Tanssija ja koreografi Edith von Bonsdorff, 1910-luvun loppu. | Dancer and choreographer Edith von Bonsdorff, late 1910s. | src FHA ~ Museovirasto
Tanssija ja koreografi Edith von Bonsdorff, 1910-luvun loppu. | Dancer and choreographer Edith von Bonsdorff, late 1910s. | src FHA ~ Museovirasto

Edith von Bonsdorff by Apollo

Atelier Apollo :: Tanssija ja koreografi Edith von Bonsdoerff (also Bonsdorff, Bonsdörff), 1917-1919. | src FHA ~ Museovirasto
Atelier Apollo :: Tanssija ja koreografi Edith von Bonsdoerff, 1917-1919. Inscriptions: Edith Helena v. Bonsdorff (1890-1968) os. Andersen’s dance artist, on the back of the picture in the middle. | src Finnish Heritage Agency (Museovirasto)
Atelier Apollo :: Tanssija ja koreografi Edith von Bonsdoerff (also Bonsdorff, Bonsdörff), 1917-1919. | src FHA ~ Museovirasto
Atelier Apollo :: Tanssija ja koreografi Edith von Bonsdoerff (also Bonsdorff, Bonsdörff), 1917-1919. | src FHA ~ Museovirasto
Atelier Apollo :: Tanssija ja koreografi Edith von Bonsdoerff (also Bonsdorff, Bonsdörff), 1917-1919. | src FHA ~ Museovirasto
Atelier Apollo :: Tanssija ja koreografi Edith von Bonsdoerff (Bonsdorff, also Bonsdörff), 1917-1919. | src FHA ~ Museovirasto

Maggie Gripenberg, 1919

Atelier Apollo :: Maggie Gripenberg tanssii Verdin ‘Aida’ -oopperassa 1919. Esitys oli samalla oopperan kauden 1919 avajaisjuhlanäytäntö. | Maggie Gripenberg dances at Verdi’s ‘Aida’ in 1919. The performance was at the opening ceremony of the 1919 opera season. Blind-stamp: “Atelier Apollo Helsingfors” | src FHA – Museovirasto

Bakkanaali dance, 1915

Atelier Apollo :: Maggie Gripenberg ja Onni Gabriel ‘Bakkanaali’ -tanssiesityksessä, 1915. | Maggie Gripenberg and Onni Gabriel in the Bakkanaali dance performance, 1915. | src FHA – Museovirasto
Atelier Apollo :: Maggie Gripenberg ja Onni Gabriel ‘Bakkanaali’ -tanssiesityksessä, 1915. | Maggie Gripenberg and Onni Gabriel in the Bakkanaali dance performance, 1915. | src FHA – Museovirasto
Atelier Apollo :: Maggie Gripenberg ja Onni Gabriel ‘Bakkanaali’ -tanssiesityksessä, 1915. | Maggie Gripenberg and Onni Gabriel in the Bakkanaali dance performance, 1915. | src FHA – Museovirasto