J. Antoine’s autochrome sunsets

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Jules Antoine (1863-1948) :: Coucher de soleil sur la plage dans des tonalités rose-orangés, la mer à l’horizon, 1905-1912. Positif transparent; Support verre; Procédé Autochrome

Jules Antoine (1863-1948) :: Coucher de soleil sur la mer sous un ciel nuageux, 1905-1912. Positif transparent; Support verre; Procédé Autochrome

Jules Antoine (1863-1948) :: Coucher de soleil sur la plage, la mer à l’horizon, 1905-1912. Positif transparent; Support verre; Procédé Autochrome

Jules Antoine (1863-1948) :: Coucher de soleil sur la plage, la mer à l’horizon, la silhouette d’un homme se détachant sur le banc de sable, 1905-1912. Positif transparent; Support verre; Procédé Autochrome

Jules Antoine (1863-1948) :: Coucher de soleil sur la mer, falaises au premier plan, ciel nuageux en arrière-plan, 1905-1912. Positif transparent; Support verre; Procédé Autochrome

Jules Antoine (1863-1948) :: Coucher de soleil sur la plage, 1905-1912. Positif transparent; Support verre; Procédé Autochrome

Jules Antoine (1863-1948) :: Coucher de soleil sur la…

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Clotilde von Derp by Watson

George Spencer Watson (1869-1934) :: Portrait of Clotilda [sic] von Derp (Frau Sakharoff), 1912. Signed, inscribed and dated ‘Clotilda [sic] von Derp / [Frau Sakharoff.] / Dancer 1912 / by George Spencer Watson R.A.’ (on the backboard). Oil on canvas laid down on board. | src Christie’s

Hagemeyer by Hagemeyer

Johan Hagemeyer (1884-1962) :: [Johan Hagemeyer] [glass negative, retouched] undated but the item belongs to Early Works folder (circa 1908-1915). | src OAC · Calisphere
Johan Hagemeyer (1884-1962) :: [Johan Hagemeyer] [negative] selfportrait [reading] | src OAC · Calisphere
Johan Hagemeyer (1884-1962) :: [Johan Hagemeyer reading in forest.] [negative] selfportrait | src OAC
Johan Hagemeyer (1884-1962) :: [Johan Hagemeyer reading] [negative] selfportrait | src OAC
Johan Hagemeyer (1884-1962) :: [Johan Hagemeyer reading in chair.] [negative] Selfportrait | src OAC
Johan Hagemeyer (1884-1962) :: Johan Hagemeyer. Nitrate negative. Selfportrait. | src OAC · Calisphere

Potted Plants 1910s – 1940s (?)

Karl Struss :: The Attic Window, Dresden, 1909. Platinum print. | src Smithsonian American Art Museum
Karl Struss (1886-1981) :: The Attic Window, Dresden, 1909. Platinum print. | src Smithsonian American Art Museum
Karl Struss (1886-1981) :: Three Potted Plants in Window [Chrysanthemums], Willard White NYC, 1911. Platinum print. | src Amon Carter Museum of American Art
Karl Struss :: Three Potted Plants in Window [Chrysanthemums], Willard White NYC, 1911. Platinum print. | src Amon Carter Museum
Johan Hagemeyer :: Rex begonia in window of Carmel house. [photographic print] | src OAC · Calisphere
Johan Hagemeyer :: Rex begonia in window of Carmel house. [photographic print] | src OAC · Calisphere
Johan Hagemeyer (1884-1962) :: [Plant.] [negative], n.d. | src OAC · Calisphere
Johan Hagemeyer (1884-1962) :: [Plant.] [negative], n.d. | src OAC · Calisphere
Johan Hagemeyer :: [Plants. Unidentified interior] [negative] | src OAC · Calisphere
Johan Hagemeyer :: [Plants. Unidentified interior] [negative] | src OAC · Calisphere

Vaslav Nijinsky as Petrushka, 1911

Photograph of Nijinsky in the title role of the ballet Petrouchka (Petrushka), 1911. [Mishkin N.Y.] | src Library of Congress
Elliott & Fry :: Vaslav Nijinsky as the Rag Doll ‘Petrouchka’ (1911). Petrushka [French: Petrouchka] premiered June 13, 1911 at the Theatre du Chatelet in Paris with costume and scenery design by Alexandre Benois, music by Igor Stravinsky and choreography by Michel Fokine. | src Leo Boudreau, visit his site for more info about Petrouchka and links to the ballet’s videos
Portrait of Vaslav Nijinsky in three-quarter profile, left fist clenched before him in the title role of Petrouchka (a rag doll), 1910-1911.
Petrouchka (Choreographic work: Michel Fokine); uncredited photographer on source | src NYPL
Dover Street Studios (Photographer) :: Nijinsky, London, 1910-1911. | src NYPL
Vaslav Nijinsky in Petrushka (1911) | src San Francisco Symphony : Stravinsky Exhibition

Tulips, ca. 1911 (Clara Sipprell)

Clara Sipprell (1885-1975) :: Tulips, ca. 1911. Glass transparency. Additive color screen plate(*). | src Amon Carter Museum
Clara E. Sipprell :: Tulips, ca. 1911. Glass transparency. Additive color screen plate(*). | src Amon Carter Museum of American Art

(*) Additive Color Screen Plate or Screen Plate were known commonly by the product name: Autochrome, Filmcolor, Lumicolor, Alticolor. Used mainly between 1907 and 1935. Initially it has a glass support; later products on film supports. This process was the first fully practical single-plate color process. The Autochrome plate or Screen plate could record both saturated and subtle colors with fidelity, and since the screen and the image were combined, there were no registration problems. Nonetheless, it had its drawbacks: the exposure times were long, and the processed plates were very dense, transmitting only less than the 10% of the light reaching them.

The result is a soft, subdued, dreamy colored image. And grainy. Although the starch grain filters were microscopically small their random distribution meant that inevitably there would be clumping of grains of the same color.

Hand grasping woman’s hair

Hand grasping a beautiful young woman’s long, dark hair. Bromide print, ca. 1910 (post victorian). From the Collection of Thomas Harris. | src Swann Galleries
Ronit Porat :: Untitled, 2016, photo collage. | src manofim

Valeska Gert by Mammen / Kainer

Valeska Gert, gemalt von Jeanne Mammen; 1928-1929 © Berlinische Galerie. | src Welt.de
Ludwig Kainer :: Valeska Gert. Groteske Tänze. Plakat. 1917. Das Plakat, Mai-Juli 1918