Tag: 1910s

Women in nature by Lhermitte

Charles Augustin Lhermitte :: Deux jeunes femmes dans un pré, vers 1912, Aristotype | src Musée d’Orsay
Charles Augustin Lhermitte :: Jeune femme au bord d’un fleuve, vers 1912, Aristotype. | src Musée d’Orsay
Lhermitte - Paysage fluvial avec jeune femme dans une barque, vers 1912 Aristotype
Charles Augustin Lhermitte :: Paysage fluvial avec jeune femme dans une barque, vers 1912 Aristotype. | Musée d’Orsay
Lhermitte - Trois jeunes femmes au bord d'une rivière, vers 1912 Aristotype
Charles Augustin Lhermitte :: Trois jeunes femmes au bord d’une rivière, vers 1912 Aristotype. | Musée d’Orsay
Lhermitte - Jeune femme posant en pied au bord d'une rivière, vers 1912 Aristotype
Charles Augustin Lhermitte :: Jeune femme posant en pied au bord d’une rivière, vers 1912 Aristotype. | Musée d’Orsay

The Wondrous Globe by Brigman

Anne W. Brigman :: The Wondrous Globe. Camera Work: A Photographic Quarterly — 1912 (Heft 38)
Anne W. Brigman :: The Wondrous Globe. Camera Work: A Photographic Quarterly — 1912 (Heft 38). Photogravure.
Anne W. Brigman :: The Wondrous Globe. Camera Work: A Photographic Quarterly — 1912 (Heft 38)
Anne W. Brigman :: The Wondrous Globe. Camera Work: A Photographic Quarterly — 1912 (Heft 38). Photogravure. | src Universitätsbibliothek Heidelberg

Flo Peterson avec un parapluie

Paul Haviland :: Florence Peterson debout, avec un parapluie, entre 1909 et 1910, Autochrome. | src Musée´d'Orsay
Paul Haviland :: Florence Peterson debout, avec un parapluie, New York, entre 1909 et 1910, Autochrome. | src Musée d’Orsay
Paul Haviland :: Florence Peterson debout, avec un parapluie, entre 1909 et 1910, Autochrome. | src Musée´d'Orsay
Paul Haviland :: Florence Peterson debout, avec un parapluie, entre 1909 et 1910, Autochrome. | src Musée d’Orsay
Paul Haviland :: Florence Peterson debout, avec un parapluie, entre 1909 et 1910, Autochrome. | src Musée´d'Orsay
Paul Haviland :: Florence Peterson debout, avec un parapluie, entre 1909 et 1910, Autochrome. | src Musée d’Orsay
Paul Haviland :: Florence Peterson debout, avec un parapluie, entre 1909 et 1910, Autochrome. | src Musée´d'Orsay
Paul Haviland :: Florence Peterson debout, avec un parapluie, entre 1909 et 1910, Autochrome. | src Musée d’Orsay

Paul Haviland, while working in New York as a representative for his father’s porcelain factory, explored the arts. His interest in writing and photography eventually led him to the Little Galleries of the Photo-Secession, where Alfred Stieglitz and his circle of photographers strove to have the medium recognized as a fine art. In 1910 Haviland was made associate editor of Stieglitz’s publication Camera Work.

Haviland’s Portrait of a Man [SAAM, 1994.91.65], made about the same time he met Stieglitz (ca. 1908), is an impressionistic study rather than a conventional likeness. Although Haviland continued making portraits upon returning to France after World war I, they lacked the engaging inventiveness of his work in New York. [quoted from Smithsonian American Art Museum : SAAM]

Percy MacKaye by Genthe

Arnold Genthe :: Percy MacKaye as Alwyn, the poet, a character in Percy MacKaye's play Sanctuary: A Bird Masque, in rehearsal for first performance at the Meriden Bird Club sanctuary dedication in New Hampshire, September 1913. Autochrome. | src Library of Congress
Arnold Genthe :: Percy MacKaye as Alwyn, the poet, a character in Percy MacKaye’s play Sanctuary: A Bird Masque, in rehearsal for first performance at the Meriden Bird Club sanctuary dedication in New Hampshire, September 1913. Autochrome. | src Library of Congress
Arnold Genthe :: Percy MacKaye as Alwyn, the poet, a character in Percy MacKaye's play Sanctuary: A Bird Masque, in rehearsal for first performance at the Meriden Bird Club sanctuary dedication in New Hampshire, September 1913. Autochrome. | src Library of Congress
Arnold Genthe :: Percy MacKaye as Alwyn, the poet in Sanctuary, 1913. Autochrome. (DETAIL)

Young woman by Lhermitte

Charles Augustin Lhermitte (1881 - 1945) :: Portrait en buste d'une jeune femme aux épaules nues, vers 1912, Aristotype. Musée d'Orsay
Charles Augustin Lhermitte (1881 – 1945) :: Portrait en buste d’une jeune femme aux épaules nues, vers 1912, Aristotype. Musée d’Orsay
Charles Augustin Lhermitte (1881 - 1945) :: Portrait en buste d'une jeune femme aux épaules nues, vers 1912, Aristotype. Musée d'Orsay
Charles Augustin Lhermitte (1881 – 1945) :: Portrait en buste d’une jeune femme aux épaules nues, vers 1912, Aristotype. Musée d’Orsay
Charles Augustin Lhermitte (1881 - 1945) :: Portrait en buste d'une jeune femme aux épaules nues, vers 1912, Aristotype. Musée d'Orsay
Charles Augustin Lhermitte (1881 – 1945) :: Portrait en buste d’une jeune femme aux épaules nues, vers 1912, Aristotype. Musée d’Orsay

Still Life by Dellenbaugh ca 1910

Frederick S. Dellenbaugh (1853 - 1935) :: Still Life with Ornate Chinese Vase, about 1910. Autochrome. | src The J. Paul Getty Museum
Frederick S. Dellenbaugh (1853 – 1935) :: Still Life with Ornate Chinese Vase, about 1910. Autochrome. | src The J. Paul Getty Museum
Frederick S. Dellenbaugh (American, 1853 - 1935) :: Still Life with Ornate Chinese Vase, about 1910, Autochrome. | src Getty Images
Frederick S. Dellenbaugh (American, 1853 – 1935) :: Still Life with Ornate Chinese Vase, about 1910, Autochrome. | src Getty Images

Modedanspaar by Merkelbach

Atelier Merkelbach, Juan Morhart, danspaar, modedanspaar, smoking, smoker, portrait
Jacob Merkelbach :: Danseres, 1918. | src Leiden University Library · Universitaire Bibliotheken Leiden
Atelier J. Merkelbach :: Danseres. Juan Morhart Danspartner, 1919-1920. Glass negative.| Collectie Atelier J. Merkelbach
Atelier J. Merkelbach :: Modedanspaar Juan Morhart en partner 1919-1920. | Collectie Atelier J. Merkelbach
Atelier J. Merkelbach :: Modedanspaar Juan Morhart en partner 1919-1920. Glass negative. | Collectie Atelier J. Merkelbach
Atelier J. Merkelbach :: Danseres. Juan Morhart Danspartner, 1919-1920. Glass negative. | Collectie Atelier J. Merkelbach

Blossoms by Dassonville

pictorialism, flowers, 1910s, 1920s
William Edward Dassonville (1879-1957) :: Blossoms, early 20th century | src liveauctioneers
William Edward Dassonville (1879-1957) :: Blossoms, early 20th century | src liveauctioneers

Flower blossoms photographed by William Dassonville; very different from his usual landscape repertoire.

William Edward Dassonville (1879-1957) :: Blossoms, early 20th century | src liveauctioneers
William Edward Dassonville (1879-1957) :: Blossoms, early 20th century | src liveauctioneers
William Edward Dassonville (1879-1957) :: Blossoms, early 20th century | src liveauctioneers
William Edward Dassonville (1879-1957) :: Blossoms, early 20th century | src liveauctioneers
William Edward Dassonville (1879-1957) :: Blossoms, early 20th century | src liveauctioneers
William Edward Dassonville (1879-1957) :: Blossoms, early 20th century | src liveauctioneers

William E. Dassonville was a California photographer primarily known for his landscapes. He was an associate of Ansel Adams and worked with William Keith, George Stirling, Maynard Dixon, and John Miur. Born in Sacramento, CA, he acted as secretary of the California Camera Club and contributed to Camera Craft. He also invented a velvety surfaced printing paper that he later manufactured commercially (REF: Getty). His chemistry was heralded by Ansel Adams and Imogen Cunningham, and he exhibited alongside Alfred Stieglitz, Clarence White, and Gertrude Kasebier (REF: icp org) | src liveauctioneers

La madre e la morte (1911)

Mary Cléo Tarlarini (la madre / the mother) in La madre e la morte (S. A. Ambrosio, 1911)
Mary Cléo Tarlarini (la madre / the mother) in La madre e la morte (Arrigo Frusta, 1911)
Mary Cléo Tarlarini (la madre / the mother) in La madre e la morte (S. A. Ambrosio, 1911)
Mary Cléo Tarlarini (la madre / the mother) in La madre e la morte (S.A. Ambrosio, 1911)
La madre e la morte (Arrigo Frusta, 1911) – musica di Simone Farò / src Cinemateca Museo Nazionale del cinema on Vimeo
[full video on vimeo]
Mary Cléo Tarlarini (la madre / the mother) in La madre e la morte (S. A. Ambrosio, 1911)
Mary Cléo Tarlarini (la madre / the mother) in La madre e la morte (S. A. Ambrosio, 1911)

Kitty Stieglitz by Alfred Stieglitz

Alfred Stieglitz Kitty Stieglitz, 1915-16. Autochrome. Alfred Stieglitz Collection src National Gallery of Art
Alfred Stieglitz :: Kitty Stieglitz, 1915-1916. Autochrome. Alfred Stieglitz Collection. | src National Gallery of Art
Alfred Stieglitz :: Kitty Stieglitz, 1915-1916. Autochrome. Alfred Stieglitz Collection. | src National Gallery of Art
Alfred Stieglitz :: Kitty Stieglitz, 1915-1916. Autochrome. Alfred Stieglitz Collection. | src National Gallery of Art (DETAIL)
Alfred Stieglitz (1864 – 1946) :: Untitled [Kitty Stieglitz], 1907; Autochrome. | src The J. Paul Getty museum
Alfred Stieglitz made this portrait of his eight-year-old daughter Katherine (Kitty) while on vacation in Europe. Kitty sits on a park bench, clutching a bouquet of vibrant purple blossoms in one hand and holding a butterfly net in the other. (quoted from source)