Portraits by Paul Haviland 1900s

Paul Haviland :: Isabelle d’Armont, 1909, platinum print. | src 19th Century American Photographs at Lee Gallery
Paul Haviland :: Isabelle d’Armont, 1909, platinum print. | src 19th Century American Photographs at Lee Gallery
Paul Haviland (1880-1950) :: Femme en costume de danseuse, entre 1898 et 1916, épreuve au platine. Musée d’Orsay

The Dying Cedar, ca. 1907

Anne Wardrope Brigman :: The Dying Cedar, 1906. Platinum print. | src Smithsonian American Art Museum
pictorialism
anne brigman
anne w. brigman
Anne Wardrope Brigman :: The Dying Cedar, 1906. Platinum print. | src Smithsonian American Art Museum

Ruth St Denis in profile

Siri Fischer-Schneevoigt :: Portrait in profile of dancer Ruth St. Denis, Berlin, 1906 | src NYPL
Portrait of Ruth St. Denis in wig and East Indian jewelry, 1906 (unspecified photographer) | src NYPL

Nude [Miss Thompson], 1907

Clarence Hudson White :: Untitled [Miss Thompson], 1907. Platinum print. | src Princeton University Art Museum
Clarence Hudson White :: Untitled [Miss Thompson], 1907. Platinum print. | src Flickr [click here to enlarge]

C.H. White portraits (1900s)

Clarence Hudson White :: Mrs. Fox (Kate Parsenau), New York, 1910. Platinum print. | src Library of Congress
better resolution: image below
Clarence H. White :: Kate (Parsenau) Fox, head-and-shoulders portrait, facing left, 1910. Platinum print. | src: Library of Congress
Clarence H. White :: Girl with Bowl, 1907. Platinum print. | src Princeton University Art museum
Clarence H. White :: Girl with Bowl, 1907. Platinum print. | src Princeton University Art museum

In his first years as a photographer, White concentrated on genre subjects like this one, often using young women as his models. Throughout his career, he continued to photograph women, from his mother and members of his wife’s family to well-known actresses of the day, such as Maude Adams. White attempted to imbue women with notions of truth and beauty, a view not uncommon among the photographers known as Pictorialists, who considered the female subject to be the most artistic and spiritual choice in the history of art. Photographs like this one allowed White to experiment with dramatic lighting while simultaneously relating photography to a long tradition of painting, through his use of a female model. [source of text]

Clarence H. White :: Woman on rocks, Caritas Islands, Connecticut, 1909. Platinum print. | src Princeton Univ. Art museum
Clarence H. White :: Woman on rocks, Caritas Islands, Connecticut, 1909. Platinum print. | src Princeton Univ. Art museum

Lyda Borelli by Nunes Vais

Lyda Borelli in Salomé photographed by Mario Nunes-Vais (between 1905-1910)
Mario Nunes Vais ~ Lyda Borelli in Salome, 1909-1910. Archivio Nunes Vais | src Lombardia Beni Culturali
Mario Nunes Vais ~ Lyda Borelli in Salome, 1909-1910. ICCD. Gabinetto Fotografico Nazionale, Archivio Nunes Vais | src Foto Padova & Lyda Borelli
Lyda Borelli in an outfit for Oscar Wilde’s stage play ‘Salome’. Spanish postcard by Amadeo, Barcelona | src Flickr