Coquilles, 1830-1840 (dessins)

From: Coquilles : [12 peintures], vers 1830-1840 | src BnF - Gallica
Author: Marie-Melchior-Joseph-Théodore de Lagrené (Collecteur)
Author / Artist: Yoeequa (peintre ou atelier chinois actif à Guangzhou vers 1830-1840) - BnF
From: Coquilles : [12 peintures], vers 1830-1840 | src BnF – Gallica
Author: Marie-Melchior-Joseph-Théodore de Lagrené (Collecteur)
Author / Artist: Yoeequa (peintre ou atelier chinois actif à Guangzhou vers 1830-1840) – BnF
From: Coquilles : [12 peintures], vers 1830-1840 | src BnF - Gallica
Author: Marie-Melchior-Joseph-Théodore de Lagrené (Collecteur)
Author / Artist: Yoeequa (peintre ou atelier chinois actif à Guangzhou vers 1830-1840) - BnF
From: Coquilles : [12 peintures], vers 1830-1840 | src BnF - Gallica
Author: Marie-Melchior-Joseph-Théodore de Lagrené (Collecteur)
Author / Artist: Yoeequa (peintre ou atelier chinois actif à Guangzhou vers 1830-1840) - BnF
From: Coquilles : [12 peintures], vers 1830-1840 | src BnF - Gallica
Author: Marie-Melchior-Joseph-Théodore de Lagrené (Collecteur)
Author / Artist: Yoeequa (peintre ou atelier chinois actif à Guangzhou vers 1830-1840) - BnF
From: Coquilles : [12 peintures], vers 1830-1840 | src BnF – Gallica
Author: Marie-Melchior-Joseph-Théodore de Lagrené (Collecteur)
Author / Artist: Yoeequa (peintre ou atelier chinois actif à Guangzhou vers 1830-1840) – BnF

La photographie érotique

Female Nude. Attributed to Félix Jacques Moulin (French, 1802 - 1875); 1856; Albumen silver print. From «Reconsidérer la photographie érotique» | src l'œil de la photographie
Female Nude. Attributed to Félix Jacques Moulin (French, 1802 – 1875); 1856; Albumen silver print. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l’œil de la photographie
Anonyme, Académie, vers 1845, daguerréotype. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l'œil de la photographie
Anonyme, Académie, vers 1845, daguerréotype. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l’œil de la photographie
Anonyme, Nu, vers 1848, daguerréotype (stereo). From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l'œil de la photograp
Anonyme, Nu, vers 1848, daguerréotype (stereo). From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l’œil de la photographie
Two Women Embracing. Unknown French maker; about 1848; Daguerreotype, hand-colored. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l'œil de la photographie
Two Women Embracing. Unknown French maker; about 1848; Daguerreotype, hand-colored. From: Abigail Solomon-Godeau: «Reconsidérer la photographie érotique» | src l’œil de la photographie

The title is intriguing: «Reconsidérer la photographie érotique». (“Reconsidering erotic photography”).
The text itself is brilliant and of great intelligence.

In this 1987 essay, historian Abigail Solomon-Godeau traces avenues for exploring a history of erotic and pornographic photographic production, a history hitherto repressed and absent from narratives. Thus opening the door to a feminist and revised history of the photographic medium, she shows how much this imagery has been abundant and present almost from the origins of photography. In “Reconsidering erotic photography”, Abigail Solomon-Godeau analyzes the ways in which naked bodies are presented in several photographic images from the 1840s-1850s, whether academic nudes or images intended for other types of visual consumption, and questions the specificity of photographic representation as opposed to other mediums. Supporting feminist theories, she raises the question of how these images are viewed, and the ambiguity of their designation, between eroticism and pornography. At the heart of this pioneering essay in the history of photography, she defends the need to write the history of these often set aside productions.

Reconsidérer la photographie érotique.
Notes pour un projet de sauvetage historique

Abigail Solomon-Godeau
Éléonore Challine (éd. et trad.),
Éditions de la Sorbonne, 2022
quoted from l’œil de la photographie

The Botanist, vol. 4, 1840

Protea Cynaroides. Artichoke-like flowered Protea. From: The Botanist, vol. 4, 1840.
Rhododendron Caucasico-Arboreum ~ Shewy Hybrid Rhododendron
The Botanist; containing accurately coloured figures of tender and hardy ornamental plants; with descriptions, scientific and popular; intended to convey both moral and intellectual gratification. Vol. 4, 1840. | src internet archive

Cyanotypes of Algae, 1843

‘Photographs of British Algae: Cyanotype Impressions’ by Anna Atkins (1799-1871) Part 1 of Fox Talbot’s own copy, sewn in original blue wrapper. Atkins published a collection of cyanotype photograms of algae, in installments over ten years from 1843 to 1853. | src Science and Media Museum


Choiselat and Ratel
[
Marie-Charles-Isidore Choiselat and
Stanislas Ratel] ::
Landscape with Cottage, 1844.
Daguerreotype. / src: The Met

Choiselat and Ratel emphasized the two-dimensional organization of the
picture’s surface. The poplars, reflected in the water, seem to stretch
across the plate from top to bottom instead of sitting on the far side
of the pond; the cottage forms, with its reflection, a single geometric solid
floating in space. (Quoted from source)